The quote is from Passages From the English Notebooks:

I did an advanced search at Project Gutenburg,
www.gutenberg.net, and found at

http://www.gutenberg.net/dirs/etext05/engn210.txt

The Project Gutenberg EBook of Passages From the
English Notebooks,
Volume 2., by Nathaniel Hawthorne
#18 in our series by Nathaniel Hawthorne

which includes the following entry.  The quote is near
the bottom.

Glad to be of help,
Rose Myers
Hillel Academy
Fairfield, CT

November 12th.--This morning began with such fog, that
at the window of
my chamber, lighted only from a small court-yard,
enclosed by high, dingy
walls, I could hardly see to dress.  It kept
alternately darkening, and
then brightening a little, and darkening again, so
much that we could but
just discern the opposite houses; but at eleven or
thereabouts it grew so
much clearer that we resolved to venture out.  Our
plan for the day was
to go in the first place to Westminster Abbey; and to
the National
Gallery, if we should find time. . . . . The fog
darkened again as we
went down Regent Street, and the Duke of York's Column
was but barely
visible, looming vaguely before us; nor, from Pall
Mall, was Nelson's
Pillar much more distinct, though methought his statue
stood aloft in a
somewhat clearer atmosphere than ours.  Passing
Whitehall, however, we
could scarcely see Inigo Jones's Banqueting-House, on
the other side of
the street; and the towers and turrets of the new
Houses of Parliament
were all but invisible, as was the Abbey itself; so
that we really were
in some doubt whither we were going.  We found our way
to Poets' Corner,
however, and entered those holy precincts, which
looked very dusky and
grim in the smoky light. . . . . I was strongly
impressed with the
perception that very commonplace people compose the
great bulk of society
in the home of the illustrious dead.  It is wonderful
how few names there
are that one cares anything about a hundred years
after their departure;
but perhaps each generation acts in good faith in
canonizing its own
men. . . . . But the fame of the buried person does
not make the marble
live,--the marble keeps merely a cold and sad memory
of a man who would
else be forgotten.  No man who needs a monument ever
ought to have one.

The painted windows of the Abbey, though mostly
modern, are exceedingly
rich and beautiful; and I do think that human art has
invented no other
such magnificent method of adornment as this.

Our final visit to-day was to the National Gallery,
where I came to the
conclusion that Murillo's St. John was the most lovely
picture I have
ever seen, and that there never was a painter who has
really made the
world richer, except Murillo.



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