I am forwarding an invitation to a Zoom lecture that may interest AJL 
members--for tomorrow

Lisa Silverman



Should we preserve, research, and exhibit in our museums only the works of art 
and visual materials of the "glorious past"?
[https://mcusercontent.com/4ea91045c37ecfa2d1fdd5fa6/images/3689f80c-2d24-47bc-9586-8577c6b6f2ab.png]
CSP Material Culture Event
with Prof. Shalom Sabar, live from Jerusalem
Honoring Rochelle Ambersound
EPHEMERA
The Treasure of Jewish Material Culture
Thursday September 24, 2020
10:00 AM - 11:00 AM PDT

CSP Partners: Congregation Beth Shalom (Seattle, WA), Congregation B'nai Tzedek 
(Fountain Valley, CA), Congregation B'nai Israel (Tustin, CA), Temple Bat Yahm 
(Newport Beach, CA), Temple Beth El of South Orange County (Aliso Viejo, CA), 
Temple Beth Emet (Anaheim, CA), Temple Beth Ohr (La Mirada, CA), Temple Beth 
Tikvah (Fullerton, CA), Temple Beth Shalom (Needham, MA), Town & Village 
Synagogue (NYC, NY) & Valley Beth Shalom (Encino, CA)
[https://mcusercontent.com/4ea91045c37ecfa2d1fdd5fa6/images/baab1126-f286-43b5-9858-170529dbe57e.jpg]
Registration 
Link<https://occsp.us19.list-manage.com/track/click?u=4ea91045c37ecfa2d1fdd5fa6&id=9cad58d23b&e=6f1225bb5f>
Should we preserve, research, and exhibit in our museums only the works of art 
and visual materials of the "glorious past"? As a scholar of Jewish art and 
material culture, I was always surprised to see that a simple Hanukkah lamp 
produced 300-400 years ago is admired by museum visitors and scholars alike 
while Judaic items of today are often thrown to the garbage after they are 
used. The museums' curators with whom I discussed this issue dismissed it as 
something not worth the efforts and money. As a result, some 25 years ago I 
started to collect and study Jewish ephemera of today. Thus, for example, I 
asked all my friends and family to save for me Rosh ha-Shanah cards - and soon 
discovered that the iconography of the cards and the messages on them change on 
a year by year basis. Shortly thereafter appeared the first essay ever on the 
history of the Jewish new year cards from their first appearance to today. Many 
other categories followed - Simchat Torah flags, Tzedakah boxes, kosher wine 
labels, amulets, wedding invitations (as well as other events in the life 
cycle), yahrzeit candles, ex libris, dreidels, sukkah decorations, Haggadot, 
pamphlets, postcards, etc., etc. There are many strategies on how to get the 
items - including looking through Jerusalem Genizot, items that are thrown away 
by children of deceased relatives, products in the supermarkets issued for 
special occasions, etc. Each category presents the richness of the field and 
how much it can teach us about Jewish society. By now, my students 
enthusiastically continue to develop this field, and there is hardly any Judaic 
museum or major Jewish library, whether in Israel or abroad, that doesn't 
understand the importance of ephemera for the present and the future.

 Shalom Sabar is Professor of Jewish Art and Folklore at the Hebrew University 
of Jerusalem. Sabar is the last Jewish baby born and circumcised in the ages 
old neo-Aramaic speaking Kurdish-Jewish community of Zakho. He earned his PhD 
in Art History from UCLA (1987), writing on the illustrated marriage contracts 
of the Jews in Renaissance and Baroque Italy. His research joins together the 
disciplines of art history and folklore, highlighting issues pertaining to the 
folk nature of Jewish art and Jewish material culture, visual materials and 
objects associated with rituals in the life and year cycles, and the evidence 
these materials provide about the relationships between the Jewish minorities 
and the societies that hosted them in Christian Europe and the Islamic East. 
Among his books are: Ketubbah: Jewish Marriage Contracts of the Hebrew Union 
College Skirball Museum (1990); Mazal Tov: Illuminated Jewish Marriage 
Contracts from the Israel Museum Collection (1994); Jerusalem - Stone and 
Spirit: 3000 Years of History and Art (with Dan Bahat; 1997); The Life Cycle 
[of the Jews in the Lands of Islam; 2006], and The Sarajevo Haggadah: History 
and Art (2018). Sabar served as editor of Rimonim (a Hebrew periodical of 
Jewish art), co-editor of Jerusalem Studies in Jewish Folklore, Pe’amim, and a 
multi-volume series dedicated to the Jewish communities in the lands of Islam 
(both published by Ben Zvi institute). He serves as a visiting professor and 
lectures widely in universities, museums, and public institutions in Israel, 
Europe and the US. In addition, he guides travelling seminars to Jewish sites 
in Europe, North Africa, India, and Central Asia. One of Prof. Sabar’s hobbies 
has been collecting a wide range of Jewish ephemera, which serve him and his 
students as an invaluable resource for study, research and teaching.
Celebrating our 20th year, the Orange County Jewish Community Scholar Program 
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