> You also told earlier that you have pure Haskell audio processing code. > But that is not part of CCA (Commutative Causal Arrows) or Euterpea?
We've experimented with a couple ways to do audio processing in Haskell, as described in this tech report: http://haskell.cs.yale.edu/?post_type=publication&p=75 But for Euterpea we have committed to arrows. > I did not understand why CCA needs both a preprocessor and Template > Haskell, I thought that one of it should be enough.) John Lato explained this well: the preprocessor is for arrows, and Template Haskell is for implementing the CCA optimizations. But as I said in a previous email, we are still struggling to make all of this robust. > >> Also, here is a link to some compositions, mostly by my grad student Donya >> Quick, all done entirely in Euterpea: >> >> http://haskell.cs.yale.edu/?page_id=279 > > I very like the examples and I am very curious about the Haskell sources > that produce those results! Are there samples contained, that are not > generated in Haskell or is there some arrangement that was not done in > Haskell? I will ask Donya Quick to reply to this directly. As for Glove, the composition itself was originally written in Haskore, although the instrument sounds were written in csound's orchestra language. Best, -Paul > _______________________________________________ haskell-art mailing list [email protected] http://lists.lurk.org/mailman/listinfo/haskell-art
