Don, thank you for your suggestion. Do you have a particular contact mic
that you would recommend -- and its placement on the instrument? This is the
information I am soliciting. Thank you in advance.
Sincerely,
Michael Laird
From: "Don V. Lax" <[EMAIL PROTECTED]>
Reply-To: [email protected]
To: [email protected]
Subject: Re: [HG] Microphone recommendations (large hall situations)
If you don't want feedback, use pickups...
run your pickups through some nice effects, and you'll Rock, and sound
Great.
Aloha-
Don
On Jun 29, 2006, at 4:27 PM, Reaping Crone wrote:
Thank you Lara,
These will be large hall ("loud rock") situations in various venues
around Europe. Please confirm the the suggested mic and mic placement
will be suitable for such events. My concern is FEEDBACK from what will
no doubt be huge state monitors and house PA systems (BIG). Thanks again!
Best wishes,
Michael Laird
From: [EMAIL PROTECTED]
Reply-To: [email protected]
To: [email protected]
CC: "Reaping Crone" <[EMAIL PROTECTED]>
Subject: Re: [HG] Microphone recommendations (large hall situations)
Date: Thu, 29 Jun 2006 04:46:12 +0000
Received: from www4.bigbiz.com ([208.184.28.14]) by bay0-mc7-
f7.bay0.hotmail.com with Microsoft SMTPSVC(6.0.3790.2444); Wed, 28 Jun
2006 21:48:44 -0700
Received: (from [EMAIL PROTECTED])by www4.bigbiz.com (8.8.7/8.8.7) id
VAA25719for hg-list; Wed, 28 Jun 2006 21:46:11 -0700
Received: from post4.bigbiz.net (post4.bigbiz.com [208.184.28.7]) by
www4.bigbiz.com (8.8.7/8.8.7) with ESMTP id VAA25707for
<[email protected]>; Wed, 28 Jun 2006 21:46:10 -0700
Received: from rwcrmhc15.comcast.net (rwcrmhc15.comcast.net
[204.127.192.85])by post4.bigbiz.net (Postfix) with ESMTP id
1832924485for <[email protected]>; Wed, 28 Jun 2006 21:46:34 -0700 (PDT)
Received: from rmailcenter15.comcast.net ([204.127.197.125]) by
comcast.net (rwcrmhc15) with SMTP id
<20060629044613m1500df8eje>; Thu, 29 Jun 2006 04:46:13 +0000
Received: from [24.19.234.32] by rmailcenter15.comcast.net;Thu, 29 Jun
2006 04:46:12 +0000
X-Message-Info: LsUYwwHHNt0VqgUOvS6+XpjMVkXTaOtHlFptMnM/WLs=
X-Mailer: AT&T Message Center Version 1 (Apr 11 2006)
X-Authenticated-Sender: bGFkcmlhbkBjb21jYXN0Lm5ldA==
Precedence: bulk
Return-Path: [EMAIL PROTECTED]
X-OriginalArrivalTime: 29 Jun 2006 04:48:44.0610 (UTC) FILETIME=
[4D203220:01C69B37]
Hello,
To find an answer to Michael's inquiry from June 17th, I forwarded his
specifications to a sound engineer (and mic enthusiast) friend of mine,
asking for any suggestions he might have.
He in turn did some inquiring as well among peers in the field... As it
turns out, the hurgy-gurdy is not a particularly familiar instrument in
the live music and studio recording spehere! But I post here what he
ultimately offers with regard to a live mic on the HG in a large hall
(thank you Brandon!):
"....Some people suggested B&K Bug mic or some sort of contact mic.
I personally would first try a condensor mic, hypercardiod pattern,
(AT4053a, or
oktava mk-012's with the hypercardioid capsule), even any cardioid
pattern
condenser mic would work I'm sure, pointing in the direction to where
the source
of sound is- I'm guessing the wheel and strings. Give it some room to
breath
but close enough to take advantage of a hypercardiod's pattern to reject
other
instruments on stage. So any where from 6" to 12" i'm guessing. Best
would be
to experiment, use your ears and make a decision from there. It's
mostly going
to be about mic placement and the placement of the other musicians on
stage to
minimalize undesired bleed. I'm not sure if this is loud rock style
stuff or a
more acoustic based style with a lower stage volume, because all of that
depends
as well. Monitors have to compete with loud amps on stage and that can
lead to
some feedback issues, unless they are playing nice places with talented
sound
people. A decent dynamic [mic] may work as well. "
Best wishes,
Lara
-------------- Original message ----------------------
From: "Reaping Crone" <[EMAIL PROTECTED]>
>
> Hello all.
>
> I have just acquired an astonishingly beautiful Balazs Nagy Symphony
HG
> (with movable capos) and I am thinking about taking it on a 3- week
European
> tour with the goth band that I am involved with.
>
> The performances are going to be happening in some fairly large halls
(1000+
> capacity), and I am wondering if anyone on the list has any
recommendations
> for microphones - either attachable to the instrument itself, or
directional
> (i.e. positioned on a stand, pointing at the HG). I will be seated
while
> playing this instrument.
>
> If a directional mic are recommended, please suggest specific
microphone and
> its DISTANCE from the instrument; also please specify ANGLE.
>
> The tour is in October, but I am already beginning to have concerns
about
> potential FEEDBACK from the instrument into the onstage monitors. As
stated,
> these will be BIG halls, with a large array of speaker cabinets
around the
> stage area.
>
> Any suggestions / advice would be most appreciated.
>
> Sincerely,
>
> Michael Laird
>
>
