Yes those , hey are often finished in a yellow colour.   For some reason
they were not listed in
the early catalogues of their maker.  Some sold with a local label but
obviously made in Jenzat.

   The local HG heroe was a man nicknamed Villedieu , if my memory is still
worth something 

Henry Boucher

Message Original:
-----------------
A partir de: Roy Trotter [EMAIL PROTECTED]
Date: Thu, 12 Oct 2006 23:49:07 -0700 (PDT)
A: [email protected]
Sujet: Re: Re: [HG] From the Savannah Morning News Today....


Oh, that's those real deep one's.They are the same from the top as the
Lamberts but the soundbox is twice as deep.
It seems I remember M. Bouffard  saying something about that.

Roy

--- "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:

>    There is at least one  Celtic tradition of HG playing ,  in east
> Bretagne , around the town of
> St Brieuc  , the area called " pays Gallo "   . The HG used were
> large
> guitar shaped instrument made
> in Jenzat  especially for that market .   Make a Google search for "
> les
> Chiens Jaunes "  and  "la Mirlitantouille "
>   
> Henry
> 
> 
> 
> Message Original:
> -----------------
> A partir de: Michael Gaschler [EMAIL PROTECTED]
> Date: Wed, 11 Oct 2006 16:28:22 -0500
> A: [email protected]
> Sujet: Re: Re: [HG] From the Savannah Morning News Today....
> 
> 
> Dear Simon and the rest,
>  I think you have raised some very good questions, and here is a
> small
> start in beginning to answer them.
> 
> First, you wonder what the mysterious 'Seven Celtic Nations' are.
> Judith provided a very nice link in her email that led you to a page
> on the GSU website, The very first thing that it addresses is the
> identity and history of the Seven Celtic Nations.
> 
> Second, I will agree that the Celts cannot make any sort of claim to
> being the creators of the Hurdy Gurdy, but, as with many, many other
> instruments, the development and use did not arise from only one
> group
> of people or one geographic location. So, maybe 'commonly' is a touch
> inappropriate, but it is an honest mistake.
> 
> Furthermore, I believe that the word 'experimental' might be (again)
> a
> bit too sweeping of a description. Perhaps something more along the
> lines of 'state-of--the-art' would be more fitting. But even then,
> does it matter? I personally would be very contented to be able to
> see
> a fine Gurdy-ist like Chabenat play in concert, even if he isn't
> using
> an 'experimental' hurdy gurdy.
> 
> Once again, you raised good points that I feel deserve an answer. I
> hope I have helped answer those and I would invite anybody else to
> chime in with their two cents if they feel that I have inadequately
> addressed any issues.
> 
> 
> Yours,
> Michael Gaschler
> 
> -- 
> []\/[] [] { []=[] /\ []= []_
> 
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