No changes at build time whatsoever

Your bourdons will be OK as they are

The C will tune up to a D

The G will slacken off to D (YES!! same string usually for balance)
It may be slow to start playing, put on extra cotton if you need to
I have a second notch on the bridge to give a little more pressure

The trompette can stay as a D

The G mouche can go up to A if you want

I do this all the time on my G/C Colson and just play in D on the octave
chanters
Its only 1 extra C#, not rocket science

Try it first before you change any strings

Tuning can be tricky, the following works for me

1) Tune the G chanters together at G then loose your tuning meter
2) Tune the D trompette to the chanters
3) Take OFF the chanters
4) Tune the C bourdon up to D against the trompette
5) Tune the G boudon down to low low D against the trompette
this will take a few minutes to settle before it stops going sharp
6) Tune the G mouche up to A (optional)
7) Put the G chanters back on
8) You get a strange sound with the chanters open
Pressing the A or D key will give you a big rich sound
With octave G chanters you get absolutely identical string pitches to a D/G
gurdy
It will sound exactly the same as a D/G gurdy without having to change
strings
The only difference is you get the advantage of being able to play tunes in
D that go down to the sub-dominant G (like the C tunes you play now)
You can't do this on a D/G gurdy

D/G gurdies almost always have octave D gut chanters, I don't know the
guages

Hope this helps

Graham Whyte

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
Of Nan Donald
Sent: 27 February 2007 14:12
To: [email protected]
Subject: [HG] Re: strings


Hi, I am wanting to convert a C/G HG to D.  Can anyone give me the diameters
of the needed strings?  If at all possible, I would love to have the
chanters an octave apart, but I am not sure if this is do-able on this
instrument.  (Can any C/G gurdy be adapted, or is this a decision that needs
to be made as it is being built?)  We are lucky in the Boston area to have
Boston Catlines, a good supplier of gut strings, so the non-wound strings
should not be a problem to obtain.  What about recommendations for wound
strings?  If they are available as lute/other early instrument strings,
again, this should not be a problem to obtain.

I am in a bit of a rush to get this done, so I am trying the local angle,
where I can pick the strings up at someone's doorstep, but I'd also
appreciate suggestions on sources for strings for later down the road.

Thanks for any assistance,

Nan

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