I don't find that it is any worse than some of my Cornamusen. I have built up a lot of tolerance for the back pressure, but with any double reed and capped double reed playing a long time with no break can be difficult. When we play we tend to choose pieces that we can take breaks with. We will switch short phrases back and forth so that we are not playing straight through a piece. It is more an issue of finding someplace to exhale and another short space to inhale or if we are lucky a place to do both at the same time. Joanne and I do a lot of Cantigas where she will play the gurdy and I will play cornamuse. The back pressure is pretty bad, but we tend to play them with me dropping off a couple of measures in the middle of the piece. We arrange it so that it doesn't sound like I am dropping off, but that the music dictates it. If I do have to play straight through I try not to gasp too much at the end.

I do think that the Cip Rauschpfeifs are easier to play than others I have tried. We did get them to be our fanfare instruments. I don't know how much we will use them for other uses. They are just too loud for most of our other gigs, though in an outside dance they might be useful, but they will drown out just about any other instrument I can think of except a big duddlesak. The other issue as far as dances go is the limited range. A lot of dances want a greater range. Joanne is an expert at finding limited range music, which is a good thing since we play a lot of limited range instruments.

I hope this helps.

Katie


From: [EMAIL PROTECTED]
Reply-To: [email protected]
To: [email protected]
Subject: Re: [HG] Rauschpfeif?
Date: Tue, 3 Apr 2007 03:54:43 EDT


In a message dated 4/2/2007 11:07:53 P.M. Central Daylight Time,
[EMAIL PROTECTED] writes:

Though  we had never seen their Rauschpfeifs we did
not hesitate to purchase from  them. I'm glad we did. Though they are
extremely loud, as all rauschpfeifs are, they both have amazingly beautiful
tones. The tenor has the tone  quality of an english horn on steroids. The
alto is smooth and just loud,  not obnoxious.  We have already decided that
we are buying their  single bladderpipes because we wants some that are not
droned.



If all this is true, then of course I want one, but does it address the
issue of back pressure? Since you have experience with all these others, how long
(say renaissance dances) can you play one? I used the rauschpfeiff for
fanfares before giving up and selling it. No problem as fanfare instruments; gave
me time to recover my breath.
Cheers,
Alice



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