Collect money & pay the royalties first of all (!!!), - the most important action - finance the recordings (orchestra, soloist, CONDUCTOR, hall, engineers, pressing), find a distributor (label), who is willing to account sales like rain droppings in the Taklamakan or Gobi desert, find a place to store the unsold CDs. - Or pirate copy from recording tapes & burn the CDs on demand.
What is the reason asking for that ? To have samples demonstrating how these concertos would sound ? Isn´t everything written in the score ? +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ++++++++++++++++ Am 23.09.2009 um 14:16 schrieb Prof. Michael Enright: > Two questions: > 1. What are the four modern (last 15 years) horn concertos not > available on CD that listers would most like to have available on > CD? > 2. What if anything can the hornlist do to help make that happen? > M. Enright > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
