In general I think that rotating parts is best in a amateur setting. Auditioning works if the players are comfortable with it and don't get bent out of shape. On the other hand, if it's a big solo in a big concert, and not all could handle it, an audition might be best. It's hard to keep everyone satisfied, and the default is seniority.
Herb Foster ________________________________ From: valerie wells <[email protected]> To: horn list 2 memphis <[email protected]> Sent: Tue, May 18, 2010 2:39:33 PM Subject: [Hornlist] Alternative to auditions in an amatuer setting I joined a newly forming community band a little over four years ago. Under the skilled leadership of the talented director it has developed into a very fine ensemble in less than five years. But, due to seniority, the hornist who was the first to join the band just a few months before I joined, has been awarded all the 1st horn parts, which dissapoints me. I believe I play as well and in some ways better than this individual. This is a fine band and I really want to continue with this group, so I asked the director for an opportunity to audition for first horn. The director being reluctant to offend the other hornist, said he would instead divide the 1st parts within the section. I'm satisfied with this arrangment as I enjoy the opportunity to play all the parts from time to time. I believe this is the fairest and easiest way for a director to keep everyone happy. I do, however, like the idea of what Herb has shared -- auditioning for specific solos -- and may propose we try that in the future. Valerie Wells http://www.beforhorn.blogspot.com/ _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/herb_foster%40yahoo.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
