Some beautiful, lyric works that have some great horn parts are Grainger's Irish
Tune from County Derry; Elsa's Procession to the Cathedral from Lohengrin (I
forget the arranger, but I think it's in the old Boosey Military band
collection) and Suite Francaise - Milhaud  - Alsace Lorraine movement, if I
remember correctly.

Kjellrun

Quoting Warren Van Camp <[email protected]>:

> A very beautiful, soaring and moderately easy piece that seems like 
> it might fit your needs would be the middle movement, "The Signal 
> Tree", from Nikola Resanovic's Horn Sonata.  I've enjoyed using it 
> that way in the past.
> 
> http://www.nikolaresanovic.com/The_Signal_Tree.mp3.
> 
> If not, at least it might give you some ideas.
> 
> Warren.
> 
> 
> At 10:00 AM 1/13/2011, [email protected] wrote:
> 
> >Message: 11
> >Date: Wed, 12 Jan 2011 19:35:42 -0600
> >From: Molly White <[email protected]>
> >Subject: Re: [Hornlist] Graduation.
> >To: The Horn List <[email protected]>
> >Message-ID:
> >         <[email protected]>
> >Content-Type: text/plain; charset=ISO-8859-1
> >
> >And yet Kopprasch is in NO WAY entertaining for your audience! Oh dear
> >sorry. Did I shout? My suggestion is movie music! Field of Dreams, Robin
> >Hood (Kostner), the most recent Star Trek. Avatar. Batman (any of them).
> ET.
> >Wow I could go on for days. Soaring (not necessarily "high") melodic themes
> >and heroic fanfares. That is our instrument at its best. Guildhall soloists
> >Time and Space for 2 Horns and piano FANTASTIC! I will mail you my CD if
> you
> >can't otherwise put your hands on a copy.
> >
> >On Jan 12, 2011 1:11 AM, "Richard V. West" <[email protected]> wrote:
> >
> >John:
> >
> >My only suggestions are these:
> >
> >Write a piece that suits the horn, not a guitar, not a saxophone, not a
> >trumpet.
> >
> >Write something you would want to hear yourself.
> >
> >Vary the mood. For example, write a slow, lyrical song-like section and
> then
> >contrast it with a
> >jazzy section that closes the piece.
> >
> >Since you want to compose the piece yourself, write to your strengths. If
> >you have a great high
> >register or a super low register, show it off. If not, concentrate on the
> >middle register. Can
> >you double tongue or have a great legato style? If so, include some
> passages
> >for that.
> >
> >Above all, listen to as much music for horn and piano as possible, not to
> >copy, but to learn
> >what works and figure out why it does.
> >
> >Good luck,
> >
> >Richard in Seattle
> >
> >
> >On 1/11/2011 8:34 PM, John Stacy wrote:
> > > In just over 4 months, I'm going to be graduating high sc...
> > > unsubscribe or set options at
>
>https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hornfella%40comcast.net
> > >
> > >
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> 
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