Did Sidd Finch use an analog version of this? 

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of [email protected]
Sent: Friday, April 01, 2011 1:40 PM
To: [email protected]; [email protected]
Subject: [Hornlist] Who Wants to Play the Horn Perfectly?

We all love the beauty of the horn but we all suffer it's scourge:  
INACCURACY or CLAMMING of notes.  Clammed notes occur when the embouchure
does not 
vibrate the correct pitch.  Usually, it's the air stream that's at  fault 
but they are also caused by fatigue of the lips and in some cases,  the 
player's bad ear since he/she has no clue what note to play.  Even the  best

professionals miss notes now and again and amateurs and students generally
are 
plagued by it constantly.  I've been there, done that and got the tee  shirt

myself and it has always been a quest of mine to find studies and teaching  
methods to help all horn players to "increase their batting average."  But  
even with the most dedicated practice of the most tried and true 
techniques,  CLAMS ARE INNEVITABLE for all of us!
 
NOW, I HAVE THE ANSWER TO ALL OF OUR PRAYERS, my latest invention, THE  
CLAMINATOR!
 
Please allow me this opportunity to describe this miraculous machine which  
I will be producing soon.
 
The Claminator is an electronic device, about the size of an I Pod,  
powered by the latest, fastest Intel processor.  This powerful mini
computer is 
wirelessly connected to a nano microphone placed in the wall of the  cup of 
the mouthpiece and two nano speakers mounted in the bell tail an  inch or
two 
before the main bell brace as not to be touched by the player's hand  in 
the bell.  One speaker points up the bell, the other is directed out the
bell 
across the players hand.  Powerful software installed in the device  
monitors the performance of the player and immediately senses through the  
mouthpiece mic whether the note is correct or not.  If not, it  immediately
sends 
two signals to the speaker, one is white noise at the proper  frequency to 
erase the clam and the other, the correct pitch at the right  dynamic.
Since 
microwaves travel faster than sound, this is all done in a  nano second.  
The cracked note is fixed and the player, conductor and  audience are all 
happy campers!  The only unhappy person in the entire hall  is the music
critic, 
as he has nothing to criticize!
 
I have an electronics manufacturer in China, Fook Yu  Sun, Propriety 
Limited, all set to produce these devices dirt  cheap.  The first run will
retail 
for less than $300.  The software,  on the other hand, will be more 
expensive as each horn part of each piece of  music must be programmed for
storage 
in the device.  This will not  come cheap, I'm afraid, and will vary on the 
length and difficulty of the  individual part.  1st horn parts will cost
more 
than 4th horn parts and  most concertos will be very expensive compared to 
individual orchestral  parts of short works such as overtures and waltzes.  
But hey, what's it  worth to you to play perfectly on the horn?  
 
I've completed several titles and more on the way so here is an idea of  
what the software will run:
 
    Beethoven, Symphony No. 7, 1st or 2nd horn, about  $1,200 each.
    Mozart, Horn Concerto No. 3, about $600
    Mozart, Horn Concerto No. 4, about $700
    R. Strauss, Concerto No. 1, about $1,000
    Weber, Oberon Overture, about $350
    Mahler 5, 1st Horn and Obbligato, about  $2,000
    Mahler 5, 6th horn, about $1,000
    Schoenberg, Chamber Symphony No. 1,  either part, about $1,800.
    Schubert, Auf dem Strom, about $800.
    R. Strauss, Til, 1st horn, about $1,100 (The  Claminator will not fix 
bad rhythm, though, but my next invention will: THE  RHYTHMINATOR).
 
You get the idea and I'm sure I'll be able to run specials for full sets,  
etc. and volume pricing.
 
So order soon and often as I know these will go like free beers on St.  
Patty's Day!  Also, once the conductors and managers find out about this,
they 
will ban them from auditions and the professionals will have to go back to  
their usual nerve controls, alcohol and drugs.  I WILL, ON NO CONDITION,  
SELL THIS PRODUCT TO STUDENTS!  AMATEURS and PROS, ONLY and my target
market 
are the amateurs.  Think about it, your community orchestra section  will 
sound better than the major orchestra in your city with these things once  
they are banned from the profession!  
 
I'll have a new web site up and running once I have stock of both devices  
and software titles: _www.outdamnedclam.com_ (http://www.outdamnedclam.com)

so check there  from time to time to see when they are available.  And 
remember,
"The clam you save, may be your own!"
 
Best wishes,
 
Kendall Betts
 
        
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