Hello John,

all is fine what you said, but some people think they are "immuner" !!!!!!!

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Am 26.04.2011 um 21:40 schrieb John Baumgart:

> In order for the ensemble to play in tune, there has to be at least some 
> people within the ensemble that are capable of playing in tune. If there 
> aren't, then there's no sense discussing further. 
> 
> If there are people that can play in tune, they are aware of people nearby 
> who have intonation problems. If they are in their own section, they should 
> be able to address them directly. If the conductor has to do much more than 
> call out a section for some dodgy intonation, he'll be wasting his time and 
> that of the rest of the ensemble, as a rehearsal is not meant to be an ear 
> training class. A surprising number of people in amateur groups are willing 
> to listen to a credible party give them advice if done tactfully, and tact 
> will be necessary since the advice will need to be repeated, unless there's 
> some magic way of instantly curing someone's long-term intonation problems. 
> Rome wasn't built in a day, after all. Fortunately, good intonation is 
> contagious. Of course, there will still be some people who are immune to it. 
> 
> John Baumgart 
> 
> ----- Original Message ----- 
> From: "Steven Mumford" <[email protected]> 
> To: [email protected] 
> Sent: Tuesday, April 26, 2011 1:13:16 PM 
> Subject: Re: [Hornlist] Whose Responsibility? 
> 
> 
> ....is it to make sure the ensemble plays in tune? Is it possible for an 
> amateur band or orchestra to play beautifully in tune? 
> 
> [...] 
> 
> In pretty much every amateur ensemble, and even quite a few high paying gigs 
> I've ever played in, there are quite a number of people who don't know how to 
> play in tune. I'd say that makes it pretty much impossible for those who do 
> know how, to successfully play in tune because there aren't enough others to 
> play in tune with. 
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