Except on the baton, which is in tune always (they say) !!!!, no matter what 
key, no
matter what accidentals, no tuning slide necessary but a pencil sharpener 
perhaps.
##############################################
Am 04.05.2011 um 15:57 schrieb [email protected]:

> I have a single Bb horn. I listen and adjust accordingly. 
> 
> No matter how many notes you get in tune by doing nothing, there will  
> always be some that are flat or sharp. You can always lip it into tune, or  
> adjust with your right hand.
> 
> But, this is the way it is on double/triple/single/wagner  
> tubas/sarrusophones/etc or anything that matter with a mouthpiece and made of 
>  brass. 
> 
> -William
> 
> 
> In a message dated 5/4/2011 8:28:27 A.M. Eastern Daylight Time,  
> [email protected] writes:
> 
> So how  do players playing single b-flat horns deal with this note?
> 
> Hans Pizka  <[email protected]> wrote:
> 
>> Ricardo, you addressed the issue very  well. May I recommend further, 
>> that players should use the F-side to a  greater degree anyway & thus 
> eliminate this faulty
>> middle g  (concert c, written g1). They should see a double horn rather as 
> a  
>> 4-valve-horn, than a horn with a Bb-side & F-side. Such it is much  better
>> to have it in F/Bb instead of  Bb/F.
>> 
>> ###################################################################
>> Am  04.05.2011 um 00:05 schrieb Ricardo Matosinhos:
>> 
>>> The middle  g is a 5th harmonic of the A flat horn, so is naturally flat 
> (14 cents to be  exact). In C major for example will be to low because is 
> the 5th that should  be a little sharp) but, for example in Eb major is OK 
> because naturally flat  as the major third should be.
>>> I use it a lot on technical passages  and even on lyrical, but usually 
> on slow passages I use it on F  horn.
>>> My advice is to play both on Bb and F horn. Bb horn on  technical 
> passages and F or Bb on lyrical.
>>> 
>>> 
>>> On 2011-04-30 03:56, SH wrote:
>>>> Does middle g ever  get good on the b horn?  Is there a way to get it 
> to sound like the notes  above it or is it always destined to sound honkey?
>>>> 
>>>> Thanks
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