The reference to Steve Freides as the main source in this discussion is 
interesting. 


He draws no conclusion on the octave of the Bb horns. And he speaks for a 
reductive harmonic analysis, which does not incorporate the main element of 
relevance: Mozarts style of blending or not blending lines in the bass range. I 
don’t say my analysis is right, but I say its subject is important.


Klaus



________________________________
From: Ralph Hall <[email protected]>
To: The Horn List <[email protected]>
Sent: Sat, May 21, 2011 10:25:06 AM
Subject: [Hornlist] K466


Ralph R. Hall
[email protected]
Ralph R. Hall
http://www.brasshausmusic.com

Interesting discussion on this and the most interesting post was from  
Steve Freides who says everything we need to know.
And that's my point - we do need to know these things before we make  
musical and judgmental opinions. I've played this concerto a few times  
and it is definitely Bb alto. Mozart chooses an unusual key for the  
Andante, not F major or D major, but the sub-dominant of the relative  
major. It is generally accepted that this concerto presages the  
Beethoven concertos, and indeed he was so impressed by it that  
Beethoven wrote two cadenzas for it.

I only proffer this additional information because so many times the  
questions and comments on this list seem to speak of a (horn)  
community existing in isolation from the rest of our musical  
colleagues. Horn players are special - we all know that - otherwise we  
wouldn't be playing the damn thing, but when we play we have to  
connect both with others, and the music we perform.

As for Lawrence, I pity working for a conductor, in the Classical  
repertoire, who doesn't know what alto and basso mean for the horns.  
What else doesn't he/she know about?

Ralph R. Hall






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