The best part of this story is that you got to play the performance with
your daughter. I myself am trying to teach my grandson how to conduct (with
an assistance from Lenny). 

http://www.youtube.com/watch?v=PRRhdbxtojo

http://www.youtube.com/watch?v=Ui6ZWCv-8nw&feature=related

Someday the world will have a conductor we can trust :)

Joe

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of Daniel Canarutto
Sent: Friday, May 27, 2011 7:02 AM
To: The List Horn
Subject: [Hornlist] La Traviata: the performance

Hi all,
since many of you answered my question about after beats in La  
Traviata, I'd like to tell you how it went. I think that, eventually,  
that tricky (for me) passage was played acceptably; the mental trick  
which helped me most was thinking the after beats as before-beats, as  
someone suggested. It was much easier when the choir joined the  
rehearsals; a seasoned pro eventually joining us as 3rd was also of  
help.

We played the integral version of the opera, in concert form. It was a  
success and we are proud, even more since in Italy amateur classical  
performances are nearly non-existent (but the solo singers were  
professionals, and the title role soprano was wonderful).

For me it was a special joy since I was joined, for the first time in  
a public performance, by my beloved child on IV horn; and she played  
(nearly) all the notes she had to. Even more, she got to know well and  
really appreciate a classical opera. Because this is great music,  
deeply original and moving, despite what some intellectual snobs may  
say.

Daniel
______

The two links below point at pictures of the horn section for this  
performance: the first one is taken during the "acoustical rehearsal"  
in the afternoon, the second shows us just before the concert together  
with conductor Johanna Knauf.

http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1608r.jpg
http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1634r.jpg
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