Ralph R. Hall
[email protected]
Ralph R. Hall
http://www.brasshausmusic.com

Robert,

Of course Gunther Schuller's description is good and exact but points  
us towards two difficulties. The first is one of nomenclature: we very  
often talk about the same thing but use different words to identify  
and different descriptions to explain. This must be confusing - even  
irritating - to the lay reader of this list. I think, basically, we  
are all talking about the same subject and even coming up with more or  
less the same answers. I think Wendell's emphasis on the appropriate  
vowel sounds between the articulation is good and accords well with  
Schuller's description. I also, I believe, have consistently tried to  
make the tongue less important than the body of the note it  
articulates. We virtually come to the same conclusions but from  
differing points of the compass and using different methodologies.

The second difficulty is how we get this across to those less  
experienced, i.e. the pupil, the student and the enthusiastic amateur.  
If one read out Schuller's thesis verbatim to one of the above, a  
blank look is the likely response; and if you actually did this, then  
you would be  a very poor teacher. Schuller is preaching to the  
converted. This returns us to point one, it's all a matter of  
interpretation by the individual teacher (according to the type of  
pupil) and so the variety of descriptions and reinventions of the very  
same 'wheel'.

Amongst many other analogies, the one I use most for the subject under  
discussion is that of a Frankfurter sausage - Wiener in the U.S. -  
being cut up neatly into many small, equal portions by the action of a  
very sharp knife. The knife, of course, is the tongue and the cuts are  
almost imperceptible, thus preserving the shape of the whole sausage.  
I suspect that this is precisely Schuller's meaning - now interpreted  
for a pupil.

Ralph R. Hall










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