But, how about the very loud low B-nat. (concert) before the last fermata ????
Sounds like the rear fanfare of an elephant ???
And the rhythm is not perfect with the horns. But very interesting recording.

##################################################
Am 05.07.2011 um 04:44 schrieb Howard Sanner:

> This email is actually horn related.
> 
> I spent my Fourth of July transferring some records for Bill Melton's  
> wife. I don't think she'd mind too much <g> if you also listened to  
> the following one.
> 
> **You may have to copy & paste the URL into your browsers for it to work.**
> 
> 
> This is Margaret Matzenauer, singing Ich folg' dem innern Triebe from  
> Fidelio. This is the fast section of Leonore's Abscheulicher aria from  
> Act I:
> 
> http://www.ampexguy.com/kiri/b11789-5.19130325.gram.74602-matzenauer.ich.folg.dem.innern.triebe.mp3
> 
> This was never issued on Victor. My copy is a German Gramophone,  
> record no. 74602 (which looks like a Victor record no. but isn't),  
> Victor matrix no. B 11789-5, recorded Camden, N.J., 25 Mar 1912.  
> Camden is right across the river from Philadelphia. Maybe this had the  
> Philadelphia Orchestra horn section, including the Horners, playing,  
> and maybe it didn't. There's no way to tell. Fair warning: Mme  
> Matzenauer's high concert E at the end will clear your sinuses!
> 
> She also recorded something from Fidelio that Philip L. Miller's  
> discography calls "Komm Hoffnung" for Victor and "Abscheulicher!" for  
> Edison. Between all of them one would think it would be possible to  
> splice together a complete performance of Leonore's aria. However,  
> unfortunately (or fortunately, depending on your point of view), I  
> don't have either of these other two discs. So you just get the  
> closing section.
> 
> Matzenauer was quite a gal. She had perfect pitch and saved the day  
> during the U.S. premiere of Stravinsky's Oedipus Rex by humming the  
> pitch for a colleague who had gotten lost. She was also at a party  
> where a violinist who knew the Franck sonata was present (as a  
> partier, not as the entertainment) with his accompanist. The  
> accompanist hadn't brought any music, whereupon Matzenauer accompanied  
> him in the Franck sonata from memory! Apparently she did not think  
> this remarkable.
> 
> Howard Sanner
> [email protected]
> 
> "Pessimists are surprised as often as optimists, but always  
> pleasantly"--The Giant Rat of Sumatra, by Richard L. Boyer, p. 61.
> 
> 
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