If this was an old TV recording while they were on tour, perhaps, they
had an extra player with them. Eric Terwilliger used to play first horn
on several tours, years ago, incl. Bruckner no.4. I also played with
themn & used my Double. Sometimes, they themselves "are allowed" to use
another horn besides their obligate Viennese Pumpenhorn, but the
decision is up to themselves. But they use it only for a delicate
passage or a very delicate piece (mostly modern pieces), but never for
their "classics". Well, I have noticed them using a descant for some
parts of Figaro e.g., but we do the same for Figaro or Il Seraglio, if
some know-it-all-conductors had a (unanswered) phone conversation with
Mozart himself, telling them to re-open the traditional cuts & perform
these abandoned very high arias again (they were abandoned by Mozart
himself). Anyway, we receive an extra cheque for that & they do also,
which reduces our amount of complain against these conductors.
========================================================================
==

-----Urspr�ngliche Nachricht-----
Von: [EMAIL PROTECTED]
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Auftrag von Graham Jarvis
Gesendet: Sonntag, 16. M�rz 2003 00:20
An: [EMAIL PROTECTED]
Betreff: [Hornlist] VPO - what's going on?


O.K - while I'm on line....
A week or so ago I watched a televised concert with the Vienna Phil. I
can't  remember now what they were playing or where, but I was struck by
the fact that one of the two hornplayers was playing what seemed to be a
full-double "german" horn while the other (principal) hornist was
playing a Vienna horn. 
I thought that the VPO only used Vienna horns - have I been wrong about
this or was this concert an exception. 
Can anyone shed any light?
Thanks,
Graham


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