If you ask these questions, you really seem to be still far away from your target. I gave the internet address, where you can listen to classical horn tone, but have have not read my message careful enough, otherwise you had visited my site very often.
Here is the address again: www.pizka.de If you are tired scrolling through the sitemap, go directly to www.pizka.de/sigfrid.htm to listen to many (not only my own) recordings with beautiful but also powerful tone or go to www.pizka.de/WrHrPlay1.htm to listen to recordings of the classic Viennese Horn Tone - several pages full of Video & Audio Clips or , for advice go to www.pizka.de/younger.htm with many ideas for younger players & students. Your recording dilemma: mics never in direct line to the bell, sidewards always !! Try to practice in your nearest church so to have a bigger room. These small practise studios, dead in sound, are real poison for the embouchure & the tone development. Not satisfied with your tone ? Why not trying a Viennese type mouthpiece ? My mouthpieces have cured many players problems. Do not refuse to play a slim rim mouthpiece. It cures you from pressing too much, because you would cut your lips then. Result: playing more relaxed than before & the tone becomes much better. See www.pizka.de/mpiece.htm Over sixhundred players enjoy playing with this classic mouthpiece. Get a try ! And, if you like the sites as above, tell your friends about & let other list members participate on your positive experience. Greetings from quite cool but sunny Munich Hans ==================================================================== -----Urspr�ngliche Nachricht----- Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im Auftrag von pieter Gesendet: Montag, 17. M�rz 2003 10:14 An: 'The Horn List' Betreff: [Hornlist] PENETRATING PROBLEMS Etc Because of time/money lack, i can't follow any lessons this year, but i want to work on a better tone. How can i correct myself. What's a good tone when you're playing because most of us just study in a room with very dry accoustics or even a room that isn't addapted at all to study music. How can you hear if you're in a good way? Can i find recordings on the net of how a horn sounds to you when you're playing? Or can you just supervise en correct yourself by recording? When you record while studying, where do you place the mic? Just in front of the bell or somewhere else in the room? My biggest problem is, i think, i don't know by what a horntone is influenced. Which role plays your tongue, what happens when you move it, what's the role of the angle you make with the leadpipe? pieter _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/hans.pizka%40t-online.de _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
