A Boston newspaper today carried an ad for the coming season of Boston
Ballet. Six productions were listed, but no mention was made of the
composers. Of course, I know about Swan Lake and Nutcracker, and I can
venture a wild guess on Stars and Stripes. Finding the composer of the
music for Drink To Me Only With Thine Eyes (Virgil Thompson) was
surprisingly easy. But I had to look up Lady of the Camellias
(Chopin) and Don Quixote (Ludwig (Leon) Minkus). I found reviews of
several performances of these last two that mentioned everyone
connected with the production except the guy who sweeps up after, the
musicians, and composer.
The only time I was blown away by a ballet was a performance of Romeo
and Juliet set to the Prokofieff score, and I only went to that one
because I was familiar with the music and counted on that to rescue the
evening if I didn't like the dancing. Do ballet impresarios believe the
music to be so trivial a part of the production as to be unworthy of
attribution?
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post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
- Re: [Hornlist] Ballet? To whose music? Ralph Mazza
- Re: [Hornlist] Ballet? To whose music? Leigh Alexander
- RE: [Hornlist] Ballet? To whose music? James O'Briant
- Re: [Hornlist] Ballet? To whose music? Nielsen Dalley
- Re: [Hornlist] Ballet? To whose music? YATESLAWRENCE

