Stage fright & stage fright are not always the same. A certain stress is necessary to produce a live performance. But most reason for stage fright is as I described. The book is absolutely interesting for those who do not suffer that much of stage fright but it helps - as you said - to understand it.
Without a careful therapist the book alone cannot help much, but many people just think buying a book. That�s it. It helps. No, in contrary, it increases the fright. But, but, but ..... if you have the therapist, the good therapist AND the book to understand the situation, well, this will help definitely. ============================================================ -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Michael I. Goode Sent: Friday, April 23, 2004 7:13 PM To: [EMAIL PROTECTED] Subject: [Hornlist] Re: Stage Fright Topic (Hans) Dear Hans, Thank you for your interesting comments about stage fright. Horowitz had stage fright for 35 years then resumed playing. Arnold Jacobs told me of a performer in the New York Philharmonic that had played wonderfully for 25 years then all of a sudden couldn't play. Hundreds of great performers constantly suffer with stage fright and are calling me all the time. I don't have any stage fright-yet I wrote this book. Bud Herseth, Will Scarlett, Richard Cox, MD, Don Greene, PhD, Patrick Sheridan, are some of the names in music that like and recommend this book. Dale Clevenger also has this book. Maybe the book will help you understand stage fright for any students you may teach as you don't seem to suffer from the problem yourself. Mike Goode www.trumpetworkspress.com _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/hans.pizka%40t-online.de _______________________________________________ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
