Thanks, Jack. You mention "tuneable" - how important is this? Since I've never used one, I don't know what it will do to the pitch, and I assume how far in it goes and how much it closes the opening must change the pitch as well. -S- ++++++++++++++++++++++++++
What the tunable mute allows one to do is adjust the cork height for tone color while still being able to have the mute play at pitch. To be sure, it is a minute adjustment with most tuning mechanisms but sufficient. Additionally, if the mute is tunable it allows for use in multiple horns without cork adjustment although tone color is sometimes affected since it is most likely set up for a particular bell. You should try out your prospective mute in the mid/low register of your horn especially since this is where some mutes fall on their swords. The sound production should be as even more or less as the unmuted horn is. You will no doubt have all manner of mutes put forth as favorites or good mutes. Most of them are good and it is merely the color/projection of sound produced that dictates one style/brand over another. I still believe firmly though that money can be better spent on lessons than keeping up with the Jones. The fact that I or anyone else might have multiple mutes for different colors of sound should not influence the student in the first many years of playing. That person merely needs a good vanilla Bb mute that isn't hung unprotected on the case or rattling around in a car or stuffed under the dirty moldy clothes in a dorm room. Cheers, The Jack Attack! _______________________________________________ post: [email protected] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
