In spite of what some say about "false" fingerings, you sometimes need to do what works. Until your fingers get fast enough, use the T3-T23-T3. The downside is that you have to take the time during practice to learn the alternate fingerings for each passage that requires it. In a piece I'm playing there's a trill on 4th space E: E-D#... Even the experienced amateurs were having trouble with T2-T1 because they didn't know the alternate fingering T3-T23, which comes out a lot cleaner.
Herb Foster --- Steve Freides <[EMAIL PROTECTED]> wrote: > In this march excerpt, which goes in a fast 2/4 > > http://www.kbnj.com/music/Horn_Fingering_Question.pdf > > I've found the A-G#-A to weird to play as 1-2, 2-3, 1-2 on the B-flat horn, > so I've elected to take the A as open on the B-flat horn instead. > > I imagine this is a reasonable choice but I thought I'd ask here just to see > what others thought. This music is from the band I just joined and I > haven't had a chance to show the music to my teacher yet and probably won't > for a little while. > > Thanks in advance, folks. > > -S- > > _______________________________________________ > post: [email protected] > unsubscribe or set options at > http://music.memphis.edu/mailman/options/horn/herb_foster%40yahoo.com > __________________________________ Do you Yahoo!? Yahoo! Small Business - Try our new resources site! http://smallbusiness.yahoo.com/resources/ _______________________________________________ post: [email protected] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
