Just a follow up to Hans' statement below. If the original published version (is that the correct interpretation of ur-text?) of the concertos did not include "slurs & dots we are used too" how did they end up in current publications? Are they from individuals who heard the original performances or are they from later performances that became accepted as standard interpretations?
-----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Monday, December 12, 2005 4:18 PM To: The Horn List Subject: Re: [Hornlist] Mozart Concerto Editions HENLE Verlag in Munich has all four concertos in urtext, as far as there is urtext (K412 , K447, K417 are existant except slow movement of K417 missing. K495 is existant just from middle of 2nd mov to end & middle of third mov. until the end. But there is the first Viennese publication of K.495, where Joseph Leutgeb took part obviously (as he had the missing parts). The urtext publications dont have the slurs & dots we are used too. _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/bgross%40airmail.net _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
