But how do you manage the double flats then ? And you get the different imagination. #-tonalities are seen different than bb-tonalities, and heard different too. Is it really so difficult to implement the tritonus, just half the octave ??? ============================================================ ====================================================
-----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of rob schmidtke Sent: Wednesday, August 30, 2006 4:19 AM To: [email protected] Subject: [Hornlist] Brahms 2 I always think of H like horn in C then flat everything Rob Schmidtke --------------------------------- Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ countries) for 2ยข/min or less. _______________________________________________ post: [email protected] unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de _______________________________________________ post: [email protected] unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
