Steve Mumford wrote:

>     Any discussion of measuring sound quality by machine needs to 
> contain the caveat that only a portion of the sound is measured by 
> the machine.  

With all due respect, I think this is slightly innacurate.  In fact, ALL the 
sound is recorded and measured by the machine.  It is the _perception_ of the 
sound that is not measured.  This is an important difference.

It is important because our perception may be totally different from, say, the 
audience's perception.  When I am in a foul mood or down on my horn playing, 
often I will record myself and listen to recordings I have made when in a great 
mood.  The differences are not nearly as great as I would think.  Or, e.g., my 
Beethoven 3 excerpt sounds really muddy to me, but I have been assured by 
listeners and by my computer that the actual sound is clean.  The reason it 
sounds muddy/unclear is because I don't have the mental facility to pay 
attention to both creating the sound and listening/analyzing for such fast 
notes.  

> A large part of what we hear is created by our own ears 
> and will not show up on the graph.  Our ears can measure much more 
> accurately than any machine.

That's actually not true, either, depending on what you talk about.  As a 
blanket statement, it's certainly not accurate.  For example, pitch 
discrimination, intonation measurement, etc. can be done on a scale that few 
humans could ever approach.

Similarly, time measurement, objective volume measurement, relative strengths 
of harmonics, these are all more accurately measured by machine.

Again, it is important to remember that none of this may actually be important, 
and is often totally unrelated to music making.  We _do_ pick up our horns to 
make music, and I think that is the major point that Steve is making (which I 
agree with).  In fact, Steve's listening excercise might be far more useful 
than hours of spectrogram analysis....

Regards,
Marc
_______________________________________________
post: [email protected]
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org

Reply via email to