I met a reasonably well-known horn player in Washington D.C. recently who
told me that inside diameter of the old Conns was somewhere around
10.8-11mm.

If you listen to the Cleveland Orchestra recordings of Bruckner symphonies -
it is hard to distinguish a difference between the Conns and the Vienna
horns. The difference is most apparent in the strings and oboes, but the
horns are very similar.

Paul


On 6/12/08, hans <[EMAIL PROTECTED]> wrote:
>
> And he played the horn (Szell). But many conductors asre
> believed to be deaf !!!
>
> Question to the specialists: what was the bore of the very,
> very old Conns ? Anybody knows ? In millimeters, please. To
> compare: Viennese bore (inside diameter of the cylindrical
> tube) is 10,8 mms.
> ============================================================
> =======================================
>
> -----Original Message-----
> From: [EMAIL PROTECTED]
> [mailto:horn-bounces+hans <horn-bounces%2Bhans>[EMAIL PROTECTED]
> On
> Behalf Of Steven Mumford
> Sent: Thursday, June 12, 2008 7:45 PM
> To: [email protected]
> Subject: [Hornlist] Re: Franz Welser-M?st Comments
>
>     At least regarding the horn sound, George Szell thought
> the 8D came closest to producing a sound like the Vienna
> horns so that's why he wanted 8Ds in the Cleveland
> Orchestra.  So there you go, you could say Vienna's kind of
> European.
>
> - Steve Mumford
>
>
>
> message: 14
> date: Wed, 11 Jun 2008 22:52:57 -0400
> from: "Luke Zyla"
> subject: [Hornlist] Franz Welser-M?st Comments
>
> In a post concert interview, Franz Welser-M=F6st said that
> the Cleveland = Orchestra is the most "European" of all
> American orchestras. I find = this to be an interesting
> comment knowing that the horn section is a = solid 8-D
> section, perhaps the last major American orchestra horn =
> section to be so after NY Phil converted to the Schmid. I
> always = thought that Boston was much more European in their
> concept. I have = only heard Cleveland, Boston, Pittsburgh
> and Philadelphia in live = concert. I certainly wouldn't
> consider Cleveland more "European" than = the others. I
> wonder what makes an orchestra sound "European" rather =
> than American? From the interview, it would seem that volume
> is a big = factor. Of course, who knows how much was edited
> out of the interview. = Any comments?
>
> Luke Zyla
> 2nd horn, West Virginia Symphony Orchestra (about as
> American as you can =
> get)
>
>
>
>
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> de
>
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