In my opinion Dvorak wrote for valve horns, just as Brahms did. But he chose transpositions for horns for several reasons: 1. was to eliminate accidentals if the part had been written in F. Wagner specifically spoke to this, I believe in one of his letters. 2. to infer relationships with the pairs of horns to the other instruments in the orchestra. Note that in the 6th, 7th, 8th and 9th symphonies Dvorak scored the first two horns in higher transpositions and scored then with the winds (frequently), and scored the second two horns in lower transpositions ad scored them with the brass and lower strings (frequently), of course with notable exceptions. I played the solo for Piatagorsky and Nelsova as well as my mother (an excellent cellist), and my sister (also an excellent cellist).I played it several times at Interlochen with high school soloists that I can no longer remember, and later with two community orchestras with their first chair cellists as soloists. As to when valve horns were written for, I will have to look it up, but I think it was as early as 1824.
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