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In my opinion Dvorak wrote for valve horns, just as Brahms did. But he chose
transpositions for horns for several reasons: 1. was to eliminate
accidentals if the part had been written in F. Wagner specifically spoke to
this, I believe in one of his letters. 2. to infer relationships with the
pairs of horns to the other instruments in the orchestra. Note that in the
6th, 7th, 8th and 9th symphonies Dvorak scored the first two horns in higher
transpositions and scored then with the winds (frequently), and scored the
second two horns in lower transpositions ad scored them with the brass and
lower strings (frequently), of course with notable exceptions. I played the
solo for Piatagorsky and Nelsova as well as my mother (an excellent
cellist), and my sister (also an excellent cellist).I played it several
times at Interlochen with high school soloists that I can no longer
remember, and later with two community orchestras with their first chair
cellists as soloists. As to when valve horns were written for, I will have
to look it up, but I think it was as early as 1824.
- [Hornlist] Dvorak Horn Solo, Part 2 Bear Woodson
- Re: [Hornlist] Dvorak Horn Solo, Part 2 DalleyHN
- RE: [Hornlist] Dvorak Horn Solo, DB recordings Steven Ovitsky
- Re: [Hornlist] Dvorak Horn Solo, Part 2 Jerryold99
- Re: [Hornlist] Dvorak Horn Solo, Part 2 Eww02

