The last eight before 36 in the last movement of the Strauss No.2 is indeed
misprinted. The "natural" after the written d# (2nd eight in the same
measure= concert f#, as the part is in Eb) is missing, but we all played the
right note at the end of the measure (last eight notated as d2 = f concert).
I´ll have a look into the autograph score later today & let you know about).

Bozza´s "En foret", well many of us play the low "A" (concert d) as
mentioned by Christopher, even it is written as one octave higher (the "a"
below staff = concert "d"). Most just wanted to demonstrate, that they can
play a low "A". But musically, the "a", as written by the composer is much
better. 

He did not use the low "A", nor did he want it. 

And, is it really a tour de force ? It might be a tour the force for
players, who have not yet developed their personal playing technique &
embouchure to play this short but obviously demanding piece.
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Von: [email protected]
[mailto:[email protected]] Im Auftrag von
christopher Griffin
Gesendet: Sonntag, 9. August 2009 15:03dyAn: hornmailing list
Betreff: [Hornlist] Strauss 2 and En Foret


Hi guys!

 

This might be opening a can of worms but does anyone know of any misprints
in Strauss 2 (Boosey & Hawkes) and the Bozza En Foret (Alphonse Leduc)?  I
especially wanted to know about the last eighth note of the bar before 36 in
the last movement of the Strauss.  I'm sure it must go back to an F concert
but it is printed as an F-sharp concert in both the score and the horn part.
The F-sharp works in a weird kind of way.  

 

I'm also wondering what people think about going down to a low A in the
second "horn call" near the end of the Bozza. It is printed as the A just
below middle C.  Some go down to the low A.  I'm curious why, in such a tour
de force, that Bozza would have written the low A anyway. 

 

Thanks in advance!  C Griffin

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