On 31.10.2010 21:27, Yuval Levy wrote:
To define the shooting pattern.
so I'd have to go over each image (potentially hundreds of them) and give them
a 0/1/2? inefficient.
Pardon me: you sound like my daughter in her younger years by mentioning
"hundreds". Why not thousand or a million shots for a pano?
6H 1Z 1N is common, 6H 3Z 1N usual, 6H 6Z 1N and 6N 6Z also.
No 100 shots. 10-12 shots. Maybe 18.
Ok. And what is your idea how to pre-distribute it?
first: assume there is a shooting patter - if the pictures are all over the
place, only manual positioning helps (and your 0/1/2 scheme is an incomplete
system for manual positioning)
Well, if you're shooting your panos while doing the "Jumping Jack" I
understand your concern. Me (and likely most of the others) is shooting
360° around then zeniths and nadir.
so the whole patterns boils down to a "snake" from zenith to nadir or the
other way around. Can't know which one is which, so this must be manual
input.
Yes, manual input. That was my proposal. So what is yours?
Sure, I'm using this mode for my ASIF wrapper. Either something is wrong
in Thomas implementation or I did something wrong: it simply counts
file_0+file_1, file_1+file_2 and so on.
Didn't found any special multirow feature.
I would dare to hint at something on your end. Nothing wrong, you just
overlooked that this sequence is the "snake" going from zenith to nadir or the
other way around. It makes a simple and very powerful assumption: pictures
that are next to each other in the shooting sequence are also next to each
other in the panorama. good enough for CP detection.
Unfortunately I don't make my panoramas in the order "column 1, column
2..." but "row 1, row 2".
If you ever used a panorama adapter / panorama head you know where the
"row order" comes from.
So again my question to you: what for do you need to define the shooting
pattern for?
Because your workflow is crackbrained?
Bernd
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