I am overdue to saying THANK YOU to the community here. 

Although some things have been hard fought (it's tough getting through a 
thick skull), re, re, re-reading the enfuse manual, and re-reading the 
advice from Chris Spiel, and going back to basics with Erik Krause's enfuse 
droplet to vary one parameter while keeping others constant, I have got it 
working well for my niche use of a full Moon over a city. Despite Chris' 
advice of making sure to include a shorter exposure, I kept trying to 
adjust the exposure-cutoff to get the results I wanted. The trick is that I 
wanted to keep the brightest part of the Moon from overexposing, but even 
my shortest exposure clipped in the red, so my efforts could not work. In a 
moment of weakness, I let my stubborn streak die to find Chris' solution 
staring back at me. A shorter exposure was indeed the way to go.

I managed to figure out how to fake a shorter exposure by cutting the 
brightness of the shortest one, deleting the clipping red channel, cloning 
the green channel, modulating its brightness up a bit to simulate the 
redder light with a Moon low to the horizon, and pumping that into the red 
channel.Bingo! the-moon: how-to-fake-an-underexposure 
<https://sites.google.com/site/alistargazing/moon-rise-sets/camera-and-enfuse-settings-for-the-moon/how-to-fake-an-underexposure>

Not only will I now make sure I include a shorter exposure in my bracket, 
but I can save earlier events. 

Much appreciated. I have learned a lot.
Regards,
Alister.

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