From: [email protected] 
[mailto:[email protected]] On Behalf Of neeraj jain
  Sent: Saturday, February 02, 2013 12:40 PM
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  Subject: [lokayat.pune] Fwd: [Secular Perspective] An excellent article on 
Vishwaroopam

   

  Date: Sat, Feb 2, 2013 at 12:23 PM
  Subject: [Secular Perspective] An excellent article on Vishwaroopam
  To: ram puniyani <[email protected]>



  Printer Friendly Version

  Vishwaroopam: An Interesting Film That Ultimately Applauds US Imperialism

  By Karthik Ramanathan

  01 February, 2013
  Countercurrents.org

  Fremont, CA: On the night of Friday January 25, I was glad to have the 
opportunity to see a film screening of Kamal Hassan's spy thriller 
'Vishwaroopam' and while not a crazed cine fan like many others in the 
audience, it was a pleasant occasion to see Mr. Kamal Hassan himself grace the 
event. Personally, it was the first time I saw an actor whose Tamil movies I 
have watched and enjoyed since childhood.

  Prior to proceeding any further, I would like to state outright that the 
demand for banning this film even before its released, from the Tamil Nadu 
Muslim Munnetra Kazhagam and others, is simply outlandish and goes against 
common sense and constitutionally guaranteed free speech. This would be true 
even if allegations of the movies prejudice against muslims (or potentially any 
other religion) have validity, and having watched the film my opinion is that 
this broad allegation against the film simply does not hold water. The Tamil 
Nadu government has unfortunately set a negative precedent against protection 
of free speech by appeasing fringe muslim groups who demand a ban on the film. 
The current state of affairs where TN Chief Minister Jayalalitha claims 
protection for free speech in the same sentence that she demands the film maker 
to modify his film based on the objections of those opposing its release simply 
defeats logic. Hitler too would have supported free speech if speech he did not 
like was modified to delete the objectionable content. I hope that the film 
would be allowed to screen unconditionally with no preconditions whatsoever for 
modifying its content.

  The film incorporates many rarely used concepts in Indian cinema including 
wide use of computer graphics, innovates a storyline that is both unique and 
multithreaded. A true suspense thriller, it also keeps the viewer guessing 
about the motives and identities almost till the very end. For these, the film 
is a pleasure to watch, if one were to not pay attention to the historical 
events portrayed.

  A narrative of mutually beneficial alliance with US imperialism

  But as a person of conscience, one cannot be blind to the political narrative 
that is ultimately projected by the film. Mr. Hassan plays the role of a muslim 
RAW (Indian intelligence) agent Wasim. Wasim infiltrates Al-Qaeda 
infrastructure in Afghanistan, posing as a jihadi, as part of assisting the US 
invasion force in the year 2002 and this supposedly is to the benefit of India 
as well. As to why, assistance to a occupation, illegal by international law, 
and their military operations is beneficial to Indians is not made really 
clear, except for some short recordings about crazy plans by Al Qaeda 
operatives to carry out terror attacks on India. This suggests rather wrongly 
that Al-Qaeda is a central command organization, when in fact the best 
available analyses indicate disparate sets of individuals and groups only 
loosely connected to each other with a leadership that is more symbolic than 
organizational [1].

  This is a narrative that has broad implications for a globalized India, and 
the inclination to look at ourselves as "natural allies" of the US - a state 
that routinely invades and terrorizes and murders innocents and nations in the 
name of freedom and justice - forgetting our moral obligations as people who 
were colonized by similar powers in the not too distant past. Mutual benefit of 
a meaningful kind from a US alliance is an oxymoron, as our Pakistani neighbors 
find out the hard way, with innocents being killed by drone attacks on their 
soil on an almost daily basis and a military that is too dependent on US 
support to defend its civilian population.

  Oh.. Imperial crimes are only well intentioned mistakes or unintended 
collateral.

  I recollect two scenes in the film, one where a US soldier in a helicopter, 
fires accidentally at a civilian and the film makes sure to show signs of 
remorse in the expression on the snipers face. In another, the American 
aircraft in the course of a firefight, bombs a structure housing women and 
children - even as Islamists themselves exhume confidence that the Americans 
will not kill women and children - apparently unknown to the well-intentioned 
aggressors. These are contrasted to images of murders and slayings by the 
Islamist fighters, who have no sense of remorse or mercy even at their own 
women, let alone their victims. By doing this, the film plays into a colonial 
narrative that simply flies against the logic of imperialism and historical 
fact. No one in India thinks the British carried out their mass crimes of 
economic deindustrialization, manmade famines and massacres such as the 
Jalianwala Bagh out of error. The films simply pretends to not know the supreme 
crime called aggression condemned at Nuremberg and how it applies to the US 
invasion of Afghanistan. Suffice it to say, that the US knew prior to the 
invasion and the carpet bombing of Afghanistan, that it was leaving "millions 
of Afghans. at grave risk of starvation". [2] We know since that the US has not 
only resulted in tens of thousands of Afghan casualties but also extended its 
campaign into neighboring Pakistan resulting in even more innocents being 
killed. [3]

  Colonial aggression: fact, memory and film making

  A scene in the end really sent an arrow threw my heart: Wasim is presented as 
heroically killing a muslim individual who is trying to fire a rocket at a 
attacking US helicopter, and successfully foils the attempt. By implication, 
Mr. Hassan is conflating armed resistance to a foreign aggressor with acts of 
terrorism and thereby criminalizing acts of resistance. Not many Indians would 
like to think heroically of the British who put to death Rani Lakshmi Bhai or 
Tipu Sultan or the thousands of unknown Indians who gave their lives trying to 
liberate their nation even in the face of a superior enemy. Neither does the 
UN, which specifically excluded resistance from its most forceful denunciation 
of terrorism.[4] Why portray in a purely negative fashion the Afghan resistance 
to US occupation unless the point of the film is to crave favorable reviews in 
the Western press and Hollywood even at the cost of supporting imperial crimes.

  There is one thing the film does get right. Wasim is a loyal Indian muslim 
always willing to do the bidding of the Indian State. But he is always 
preoccupied about ensuring the success of the US, be it in Afghanistan or later 
in ensuring the safety of New York - activities that should be the 
preoccupation of US agencies. Even while inaccurately presenting a picture of 
Indian intelligence capabilities as being superior to inept US investigators, 
this does strike a chord with reality: The Indian government and its middle 
classes assign an unusually high priority for doing the bidding of the worlds 
powerful even as they forget the priorities of governing their own people, 
their needs, history and constitution.

  Fiction can never be expected to present all facts. But this film 
consistently errs on the side of imperialism and whitewashes its role in 
inflaming tensions in the region. Mr. Hassan and others in the Indian cine fold 
could also consider making movies based on our own history of film making that 
calls for a just social order. Even in fiction for example, a potential and 
similarly exciting multithreaded storyline could center on innocents who are 
torn apart by the US war machinery and their illegal torture and detention, and 
manage to escape its clutches to find their lives and humanity and positive 
ways to resist the American empire. In such an endeavor he would actually have 
allies in North America, in film makers such as Michael Moore (Farenheit 911) 
or James Cameron (Avatar). Hollywood may not invite Mr. Hassan then but he may 
then be remembered in the halls of justice and in the minds of freedom loving 
peoples everywhere. The choice is with him and the rest of India's film makers. 
But history will not be very kind to those who forget it.

  [The author is a professional based out of San Jose, CA and can be reached at 
[email protected] . Outside of work, he has been involved with writing 
and participating on various human rights issues such as war, healthcare, cuba 
solidarity.]

  References:

  1. See book by British investigator Jason Burke: "Al-Qaeda".

  2. Samina Ahmed, International Security 26, no. 3, 2001-02.

  3. The following Human Rights Watch report looks at the years 2006-07 and 
early 
2008.http://www.hrw.org/news/2008/09/07/afghanistan-civilian-deaths-airstrikes
  The report probably underestimates civilian casualties by making assumptions 
about civilian versus Taliban, something impossible to do without a fair court 
of law to make a judgement. Even with these underestimates, the total civilian 
toll is still of the order of tens of thousands when extrapolated over the 
entire period from 2001-2012. And this also excludes those who died of 
starvation and illnesses and imprisonment resulting from the US invasion. Drone 
strikes in Pakistan have further inflamed tensions and fears of a breakup of 
the Pakistan military, and further rise in Islamic militancy.

  4. UN Resolution 42/159, 7 December 1987. The US State department identified 
1987 as the peak year of terrorism. For more treatment of such issues of 
resistance and terrorism and justifications for US war in Afghanistan, see 
Hegemony or Survival, by Noam Chomsky.

  Karthik Ramanathan is a Senior Engineer at Samsung Electronics in San Jose , 
California . Outside of his work, he has written about and been involved with 
various political movements against war, third world solidarity and economic 
justice in the United States . He can be contacted at [email protected]

   

   

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  Neeraj Jain, Lokayat
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