---------- Forwarded message ----------
From: The Vikalp Archive <[email protected]>
Date: Sat, Sep 6, 2014 at 12:23 PM
Subject: Vikalp@Alliance Sept 12: Bollywood and its Discontents - Vaapsi &
The Clap Trap
To:


VIKALP@ALLIANCE PRESENTS


BOLLYWOOD AND ITS DISCONTENTS


Two films that look at the frayed edges of Bollywood dreams:


Srinivas Sunderrajan’s short fiction *VAPSI *

&

Jill Misquitta’s documentary *THE CLAP TRAP *


The Clap Trap which will be screened in Bombay after over fifteen years as
part of our occasional series of Classic Indian Docs


Both filmmakers will be present for a discussion, so come, see, bring
friends and spread the word!



*WHEN*: FRIDAY SEPTEMBER 12, 6.30 PM


*WHERE*: ALLIANCE FRANCAISE, Theosophy Hall, 40, New Marine Lines, Next to
Nirmala Niketan, TEL:2203 6187



*ABOUT THE FILMS*


*VAPSI*

Short Fiction | 5 min | 2010 | Director: Srinivas Sunderrajan


A struggling film actor in the city of Mumbai writes a letter to his mother.


*CLASSIC DOC: THE CLAP TRAP *

Documentary | 52 min | 1993 | India | Director: Jill Misquitta


Bombay's nickname is Bollywood; after all, the city is the centre of the
world's largest movie industry. With a production of about eight hundred
films a year, Bollywood excels its name-giver by far. All those films
require actors, especially extras. THE CLAP TRAP is about these people:
those who fill the set on payment of a meager daily wage. They are the
guests at weddings, funerals and other group scenes. 'Junior Artists' they
call themselves with a self-invented euphemism. They like to keep up
appearances for themselves by believing they perform an indispensable task
in the dream factory. In fact, they are easily interchangeable and are
usually exploited. Two 'Junior Artists' are followed at their activities,
downtown and at home. Masood had almost achieved stardom, until fate
decreed otherwise. Pammi escaped the misery of the street by joining the
anonymous army of walk-ons. We observe them at work on the set, in their
union offices, and at home while trying to cope with the larger realities
of living in Bombay--capital of the Bollywood merchants.





-- 
Paromita Vohra
DEVI PICTURES
www.parodevi.com
@parodevi
--
"हम हैं दीवाने फिर कैसा डर"

-- 
You received this message because you are subscribed to the Google Groups 
"humanrights movement" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to [email protected].
To post to this group, send email to [email protected].
Visit this group at http://groups.google.com/group/humanrights-movement.
For more options, visit https://groups.google.com/d/optout.

Reply via email to