I like the Shure for a good basic onstage mic. I put the end of it  
relatively close to the wheel cover to really pick up the sounds of the strings 
 on the 
wheel.  I prefer the SM-58 over the 57 because it's  brighter and seems to 
pick up a bit better, but don't know that you really need  to drop another 100 
bucks on a different mic as the 57 is pretty good. I imagine  others will 
differ with me on this, but I'm not particularly a fan of electronic  pickups 
on a 
gurdy or any other acoustic instrument -- the mic sound to me is  much richer 
and truer. But your mileage may vary.
 
Mitch G.
Guerneville, California, US
 
[email protected] writes:

I  apologize in advance for bringing this up, because I know it's been  
discussed before, and my only excuse for not paying attention is that  
I've long played in bands which regarded amplification as a sort of  
disease not discussed in polite company.  Now, however, I'm finding  
economic advantage in playing for dances.  For my viol, a Shure Beta  57a 
(the old workhorse) works beautifully, but I haven't had the  opportunity 
to try it with my vielle.  Has anyone tried this mike for  this purpose, 
or perhaps has another instrument mike they could recommend  that might 
be suitable for viol and vielle?

-  Martin


 
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