In response to an email about tuning of drones, Michael Muskett
(husband of Doreen Muskett, author of "Hurdy-Gurdy method") has agreed
to let me post his comments on this Forum.

>>>>>>>>>>>>>>>>>>>>>>

"... it is normal on drone instruments to tune the drone (if only one)
to the tonic, or keynote (C in the case of C major/minor). The 2nd
drone is normally the dominant (5th note: g in key of C). This
interval is a perfect 5th, and after the 8ve (ratio 1:2) is the
simplest interval, having a ratio of 3:4. It is this tuning of the
drones which people find so satisfying and they must be perfectly
tuned to have full effect (the drones, not the people!).

Music consists of constantly changing degrees of consonance and
dissonance between melody and harmony and between the complex
harmonics produced by each string. Certain intervals are sweet e.g.
8ve, 3rd, 5th, 6th.  Others are harsh: 2nd, 7th.  Therefore, you may
add a maj/min 3rd drone to the 8ves & 5ths, as is done on some
musettes, but this must only sound when musically suitable. It adds
warmth.

It seems perverse to  have drones tuned to 2nds unless you
particularly want a special effect. If you wish to experiment with
different tonalities I suggest you try different modes, as given on
page 82 of the Method. And don’t forget the minor keys, of which there
are two types.  The key in which you play must be in accordance with
the drones.  i.e. you should not play in A minor when the drones are c
& g.

  Music is a language, a language that expresses all human emotions
with their contradictions and complexities. There are many forms, of
which the simplest is folk music, and if you want to play with
understanding you will have to learn the basics. This is readily
accessible nowadays for all is available on the internet. But it is a
great study and at the end of a lifetime you will not know half of it!

Michael Muskett, 9/21/09
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