I'm not sure what to say here - not offended, just amused.  For people who may 
have worried that our raucous show may have been a scarring introduction to the 
HG for the uneducated populace,  I would put your minds at ease - despite my 
primitive dog technique and less than perfect tuning,  response has been 
thoroughly positive - That is the COOLEST instrument I've ever seen!  I 
routinely hear with "I LOVE that sound!"  (yes, they are the uneducated rabble, 
what can I say?)  They also say it's beautiful - which it is but, that's due to 
the maker, not myself. 

   As far as playing "not from the oral tradition" - err... yeah... like 
everyone else,  we play the music that has survived from the stuff that was 
written down.  The oral tradition didn't - everyone being dead and all.  

    And yes,  I play medieval music on a renaissance gurdy -sorry if that's 
offensive.  I also play middle eastern music on the same gurdy .  
Occassionally,  I even play stuff from the rock band Queen - (try Fat Bottomed 
Girls on the Hg - it's really funny) 

   Finally,  I also do "parade around on youtube" - also on myspace, facebook  
and CD baby.  I'm afraid if you set yourself up as the arbitror of what and 
should not be put up on youtube - you will have a very long and thankless job 
ahead of you but best of luck and thanks for the input .  I have to say all 
this controversy has drawn more attention to our  litltle video than I ever 
thought it would. 
----- Original Message ----- 
From: [email protected] 
To: "Digest Recipients" <[email protected]> 
Sent: Friday, December 11, 2009 2:28:00 AM GMT -05:00 US/Canada Eastern 
Subject: [HG-new] Digest for [email protected] - 5 Messages in 2  
Topics 


  Today's Topic Summary 

Group: http://groups.google.com/group/hurdygurdy/topics 

    • another movie [1 Update] 
    • Random Observations on This Bagarre [4 Updates] 

 Topic: another movie 

Felicia Dale <[email protected]> Dec 10 11:08PM -0800 
  Wow, Harald, I really enjoyed that a lot! Wow. Do you mind if I post the link 
to my Facebook page?   Felicia.   On Dec 10, 2009, at 2:21 PM, Harald 
Pettersson wrote:   


 Topic: Random Observations on This Bagarre 

Martin Lodahl <[email protected]> Dec 10 06:47PM -0800 
  There's much in this discussion that I've found interesting, at least in part 
because I too am an early music veteran, and abandoned it as a way to make a 
living over 30 years ago because I was so tired of fighting the battles. I 
understand Bruno's viewpoint and there was a time when I might have said much 
the same thing, but one reason that I never do is the consideration that I 
wasn't actually there in the middle ages and the renaissance. I can make 
guesses about how it might have sounded and others can too, but we can never 
really know, so there are pretty sharp limits to the judgments we can make. 
Many careers have been made and lost in battles over this unprovable question. 
Other list members have spoken very well indeed about suiting the performance 
to the venue and about the distinction between a musical ideal and "musica 
practica;" at a Shakespeare festival where I used to play there was this one 
couple who came every year from several states away apparently for the express 
purpose of sniping at us for using plastic reeds in our Krummhorns. When your 
job is to play several shows per day in variable weather conditions on a large 
number of instruments, something of a bargain has to be made between 
authenticity and practicality.   What I've found truly encouraging, though, is 
that there's a clear consensus in favor of civility. What Bruno said was really 
quite gentle by internet standards, and the response to it has been even more 
so, while making the collective shock perfectly clear. No hint of a flame war. 
Nice.   - Marty   -- Martin Lodahl of Auburn, California UNIX Pro, Musician, 
Motorcyclist 




Bruno Fournier <[email protected]> Dec 10 09:57PM -0500 
  Then if you play Renaissance HG in a renaissance context, why are you playing 
a piece of music, loosely based on a 13th century piece found in a Manuscript 
from Alonso the Xth reign in Spain, which I doubt very much was accessible to 
street musicians in the 15th century.   anyways, I think that there we cannot 
know in any way, what street musicians played. We know what court musicians 
played in the Renaissance, based on the manuscripts and publications ( printed 
music came out with Gutenberg's printing method, and the first published lute 
tablatures were in 1508), but to say that medieval and renaissance street 
musicians played what had been written or published is a far fetched. Rather 
composers often based their music on popular tunes from the oral tradition   In 
any case my initial comment was not so much an attack on the style of music, 
but rather on how poorly played the instruments were and how unmusical the 
piece was with that interpretation. Furthermore these Renaissance and medieval 
are of nothing more than just a big bash, with no educational value whatsoever. 
  I do not pretend to be a great musician, nor to be authentic, but I don't go 
around parading on youtube either. ( can't wait to see the replies on my 
comments :-)     Bruno Cognyl-Fournier   www.estavel.org       




Bruno Fournier <[email protected]> Dec 10 10:05PM -0500 
  Sorry but if you post a video and then send an email to the list to view it, 
why should you expect everyone to like it? I initially said that I thought the 
performance to be poor and pathetic. I have a right to my opinion, just like 
the people who wrote back to the list in praise of that performance. Of course 
taste is subjective, I like Dijon mustard, some people don't like Dijon 
mustard...   If one cannot criticize a video posted on the list, then I shall 
abstain.   Bruno   On Wed, Dec 9, 2009 at 9:14 PM, Sergio F. Ribnikov < 




[email protected] Dec 10 10:19PM -0500 
  I have done Ren Faires now for 20 years and I have to add that the original 
Renaissance Faire was simply an art fair with a theme. The fairs universally 
have always been more about entertainment and art than about true re-enactment. 
There are those that fit into the "as close as possible yet still practical" 
category at most fairs as well. I have a period correct looking costume and 
rubber soles on my shoes. What is right and wrong at Ren Faires is not the same 
as what the is right or wrong at historic re-enactments. I have met those that 
hand sew their entire set of clothes right down to the underwear and they scoff 
because I only "look" the part. Others buy something that velcros up the back 
and run around the faire getting drunk and staring at boobs. If you fall in any 
of the above you are pretty much welcome at a fair. Once again, it is not the 
same for true re-enactors. As far as the HG goes, I am also the only regular HG 
player at the local faire and I play French trad on my luteback. I found long 
ago that there are those that prefer to remain "period correct" at all times 
and I applaud them for the dedication and great work. There is a group at the 
fair that is a very good early music group (who spurned me when I first brought 
my HG to Faire...no word if they have decided that I can play yet) and I leave 
all the early stuff to them. The truth is I don't much enjoy early music and, 
although I could play it, it does not float my boat. The debate about what is 
period and what is not (a never ending "you show me your source and I will show 
you mine" fight) is best left out of the Ren Faire circuit all together. 
Although I enjoyed the concept of the performances as a whole I am against 
anything that shines a dim light on the hurdy gurdy. I work hard to try to get 
people to learn HG and I think it is always a struggle when someone doesn't 
take it serious enough to play it well. So I have to say: overall performance 
good. HG performance: not so good. Lastly, you will generally find me to keep 
my fingers away from the keyboard when I have something really bad to say, so 
know that I am not bashing the group just saying as a dedicated HG player that 
I hate to see the HG lowered in the eyes of the general public. I also 
understand that the performance in general was not solely about the HG. Scott 



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