all the time I had problems with people touching the wheel it was not with
kids, but grownups... I even had a couple of VIOLINISTS try and touch my
wheel - gosh, don't they know you don't touch the bow hairs?

On Thu, Feb 18, 2010 at 4:42 PM, Henry Boucher <[email protected]
> wrote:

>
>
>   Tell them they are allowed to touch with only one finger ,  other than
> the wheel  the damage possible with only one finger
> is rather limited   .   It is fun to see them think very seriously of
>  which part  they  want to touch first .
>
>    I did not invent that one finger rule , I took it from another HG player
> who learned it from a harpist .... who's name I forgot.....
>
>
>    Henry , dit Tourblanche
> from the great white north .
>
>
>
>
> Le 10-02-18 à 02:26, [email protected] a écrit :
>
>   Today's Topic Summary
>
> Group: http://groups.google.com/group/hurdygurdy/topics
>
>    - educational gig <#126e29e8bcb1b016_group_thread_0> [5 Updates]
>
>   Topic: educational 
> gig<http://groups.google.com/group/hurdygurdy/t/da74e3a7ab638739>
>
>    Leonard Williams <[email protected]> Feb 17 04:49PM -0500 
> ^<#126e29e8bcb1b016_digest_top>
>
>    Collective Wisdom:
>    In mid April I, extreme novice, will be demonstrating a hurdy-gurdy
>    (part of a "Sound Sampling" program) to school children aged 3 to 14,
>    in
>    small groups based on age. I will have 15 minutes with each group in
>    which
>    to
>    "include a brief introduction to the instrument (history, construction,
>    how it produces sound), some time to play a few bits of music
>    (typically to
>    demonstrate range of sound produced or breadth of styles that can be
>    played)
>    as well as allowing time at the end for "Gentle touching" [very scary]
>    of
>    the instrument. We also use the time that it takes for the classes to
>    file
>    in and leave as time for the musician to play the instrument- which
>    creates
>    a nice peaceful atmosphere during what might be a chaotic time
>    (straggling
>    kids, etc).... you want to have a basic presentation- geared towards
>    primary (3-6 yr olds) and then be able to make it more and more
>    sophisticated for each elementary level and finally for the 7/8th
>    graders
>    (you may want to get into things like the physics of sound here, how
>    you
>    built the instrument, make analogies to other instruments/machines, and
>    if
>    relevant-- tell how other cultures may have similar kinds of
>    instruments)."
>
>    How's that??
>
>    I have numerous short tunes to play, but any suggestions on
>    questions to anticipate, or how to handle the "touching" (I have no
>    wheel
>    cover :^( ) would be greatly appreciated. My hurdy-gurdy is a simple
>    one,
>    more like a symphonia with a wide body--fewer parts to explain, I hope.
>
>    Thanks and regards,
>    Leonard Williams
>    _
>    [: :]
>    / | | \
>    | | | |
>    (_==_)
>    !~¿
>
>
>
>    Arle Lommel <[email protected]> Feb 17 04:55PM -0500 
> ^<#126e29e8bcb1b016_digest_top>
>
>    Leonard,
>
>    I have done many shows like you talk about. One thing I would recommend
>    is letting the kids see inside the keybox. They find that mechanism
>    fascinating.
>
>    Older kids will usually not touch the wheel if you tell them not to,
>    but younger kids you really have to watch out for. I might suggest a no
>    touching policy for the kids under about nine years old since they are the
>    ones who are the most likely to cause problems.
>
>    In my experience you will usually get one or two in a group who are
>    really fascinated and will want to try the instrument. When I give
>    presentation if there is a way to do it I usually will let them actually 
> try
>    the instrument. (It will be obvious who they are since they'll be the ones
>    that the teachers are having to practically drive away from you), but that
>    doesn't always work. Play it by ear. Sometimes kids can stand by you and
>    crank the instrument and that will satisfy them.
>
>    It's hard to know in advance what to do with groups like that since so
>    much depends on the physical environment and the dynamics with the 
> teachers.
>
>    Hope that helps.
>
>    -Arle
>
>
>
>    Melissa Kacalanos <[email protected]> Feb 17 01:55PM -0800 
> ^<#126e29e8bcb1b016_digest_top>
>
>    I often let kids turn the crank, and they get a big kick out of it. I
>    think kids are so used to being told not to touch, they are usually pretty
>    timid, and I have to tell them several times that it's OK to touch the 
> crank
>    before they work up the courage. The only people who've tried to touch the
>    wheel have been adults.
>
>    Melissa
>    www.melissatheloud.com
>
>
>
>
>    Arle Lommel <[email protected]> Feb 17 05:00PM -0500 
> ^<#126e29e8bcb1b016_digest_top>
>
>    Interesting that your experience is different than mine about touching
>    the wheel, Melissa. For me though it's the littlest kids that are the
>    problem, with only the occasional older one who is.
>
>    -Arle
>
>    On Feb 17, 2010, at 4:55 PM, Melissa Kacalanos wrote:
>
>
>
>
>    Patricia Lipscomb <[email protected]> Feb 17 02:13PM -0800 
> ^<#126e29e8bcb1b016_digest_top>
>
>    Great age distinctions from Arle. Maybe you could fashion a cardboard
>    (or something) wheel cover for when you are showing the younger kids. You
>    can't put your wheel in jeopardy, but, if there is some way for the younger
>    ones to touch the other parts of the instrument, it will make a much bigger
>    impression because then they are not only hearing it seeing it but feeling
>    it with own hands. The more senses are involved, the more kids take things
>    in. Or so I hear.
>
>    And kudos to Leonard and Arle for their educational efforts.
>
>    Trish
>
>
>    On Feb 17, 2010, at 1:55 PM, Arle Lommel wrote:
>
>
>
>
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