Play it slowly & freely twice, then speed it right up buzzing away one verse 
only, then repeat last line slowed right down again, and then put the rhythm 
back in while holding the final note. That's how I do it anyway - I guess you 
got to hear it!

Andy


From: Augusto de Ornellas Abreu 
Sent: Tuesday, March 16, 2010 8:13 PM
To: [email protected] 
Subject: Re: [HG-new] Irish tunes


She moved through the fair with trumpette? 


Isn't it a slow air or something like that? How can you put a buzzing sound in 
such a haunting melody? It makes no sense to me...


On Tue, Mar 16, 2010 at 5:01 PM, Felicia Dale <[email protected]> 
wrote:

  I use my trompette string when it's appropriate for the key (as for She Moved 
Through the Faire) but don't use the dog until the third tune. 


  Also, if you're playing by yourself or with more flexible players you can do 
these tunes on a G/C gurdy- that's what I have and it's rarely been a problem.  
If someone else can't work with me in those keys I just play in D without 
drones or retune the petit bourdon to A.


  Felicia.


  On Mar 16, 2010, at 5:57 AM, Ulrich Joosten wrote:


    Yes, and I forgot to mention: I NEVER play these ones with a trumpet 
string. NEVER EVER!!!!!! Many of my favourite tunes do not need a trumpet 
drone. E.g. I really enjoy some scandinavian tunes played together with a 
friend of mine on two gurdies with first and second voice and we barely use 
drones, maybe just one or max 2 on 2 instruments, not to mention thetrumpet. 
For my taste their beautiful minor melodies would be disturbed by using a dog.  
I guess that lots of people think: no buzzing, no gurdy. 
    What’s the opinion out there?

    Best regards,
    Uli


    Am 16.03.10 12:43 schrieb "Colin" unter <[email protected]>:


      Ah, someone after my own heart. Planxty Irwin is a favourite of mine too 
and one of the first tunes I learned to play on HG (yes, I have the Planxty 
tape with it on) usually followed by another favourite of sheebeg sheemor (or 
any of a dozen alternative spelling that abound but you know which one I mean) 
although that does require a LOT of octave hopping but I rather like it.
      I do tend to play the more haunting tunes as regards Irish music on the 
HG.

      Colin Hill


        ----- Original Message ----- 
         
        From:  Ulrich Joosten <mailto:[email protected]>  
         
        To: [email protected]  
         
        Sent: Tuesday, March 16, 2010 7:28  AM
         
        Subject: Re: [HG-new] Irish tunes
         

        Hey everybody,

        I love to play Planxty Irwin by  O’Carolan. You should listen to the 
band Planxty’s version featuring Andy  Irvine on hurdy-gurdy. The wide tonal 
range may caus problems, but I love to  play it on a low G-chanterelle, 
starting at the high octave and then moving  down the scale. Could be worth to 
try.

        Cheers,
        Uli


        Am  16.03.10 07:37 schrieb "Barbara Currier" unter 
<[email protected]>:

         

          Thank you, Felicia. I thought I'd do O'Sullivan's  March, but I ran 
out of notes. I'll give this one a  try.

          Barbara

          On Mon, Mar 15, 2010 at 10:31 PM, Felicia Dale  
<[email protected]>  wrote:
           

            March of the King of Laois (sp?) is Irish, easy to  play and a 
lovely slow march.  Atholl Highlanders, while Scottish, is  a faster march and 
really good fun to play on gurdy as well.  William  and I play them together as 
a set and they make for a nice  pairing. 

            Have  fun!

            Felicia.




        --  
        Ulrich Joosten, Nettergasse 35, 41539 Dormagen, Tel. 02133-210900
        [email protected]
        [email protected]
        www.gambrinus-folk.de
         


    -- 
    Ulrich Joosten, Nettergasse 35, 41539 Dormagen, Tel. 02133-210900
    [email protected]
    [email protected]
    www.gambrinus-folk.de



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