Hello,

here comes the second part:

> As I was listening to various tunes, it occurs to me:
> If I want to play with other instruments (pipers, etc) I should
> probably be looking at an instruments with a d/g tuning, yes?

In advanced playing, the open strings are of not much importance for the keys 
you play in (not more than for the violin for example). The open strings are 
seen as registers that can be combined: A typical set up with three strings 
would be: 
* c - small C or C3, the note one octave below Middle C
* g - small G or G3, the G below Middle C
* g' one-lined G or G4, the G above Middle C

allowing to play in any keys in these three ranges and to use the following 
combinations: octave parallel, duodezim parallel (very nice), fifth parallel 
(and all three at once).

The choisse of drones is much more important for the keys you play in: they 
should be choosen after the roots prefered by the instruments you want to play 
with (the traditional relation between the pitch of open strings and drones is 
not a must - its just comfortable)

The keys played in are limited by drones and the intonation system choosen and 
setup after them. Any note is compared to the drones pitch at any moment, so 
tuning systems that respect the drone are sensible (no equal temperament, but 
well tempered).

I personally play a lot in keys with the roots of C, G, D, A, E and sometimes 
F. The three drones are C/D (with capo) and G/A (with capo) and E/F (with 
capo). With the buzzing strings I mainly use g, c'/d' (with capo) sometimes 
tuned up to e'. The open melody strings are c, g, g', the tuning system is 
Kirnberger II, A=440.


Kind regards,

Simon




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