Is it generally acceptable to tune a chanter up a whole step, or does
that put too much tension on the instrument?

Here’s my situation.

I currently own a lovely D/G instrument, but I have a C/G being built
that I imagine will be my primary instrument.

One of my goals is to play with a piper, and during a performance, it
would be nice to be able to change keys without changing instruments –
especially as my D/G is “old-school” (as the kids say) with wooden
tangents that require frequent touch-ups.

My piper friend has a beautiful set up Uillean pipes with chanters in
both C and D but at the moment, his only regulator set is in D.

He also has a set of small pipes in concert A.

(For the record, he is primarily a player of the Great Highland
Pipes,  but I don’t dare try to play along with that beast of an
instrument. The tuning alone would drive me mad).

SO; The String setup that I am getting on the new instrument is:

chanters  c / g / g´
trumpets  g / c´ / d´
drones    C / G / d


I imagine that it will be easy to capo the drones and trompettes
accordingly, but what to do about the c chanter in a d tune and the g
chanter in an a tune?

I am a pianist, so I’m relatively comfortable working my way around
sharps and flats, and playing with an open c string also gives me the
advantage of having the 7th below the low d (which is common on many
Highland pipe tunes). However; I imagine that there might be some
interval/intonation issues there, and of course, it would be much more
physically comfortable to play these (mostly diatonic) melodies on an
open d string.

I have the same question regarding tuning the g chanter up to an a.

I appreciate any thoughts on the subject.

Jay

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