It reminds of me of those old videos of people singing the blues in the
south.

On 21 February 2011 01:42, Felicia Dale <[email protected]> wrote:

> Great post, Arle. Thank you!
>
> Felicia.
>
> On Feb 20, 2011, at 2:38 PM, Arle Lommel wrote:
>
> I'm not going to argue that we should consider this great art, but a bit of
> context may help explain it and show why it's valuable.
>
> I can pretty much tell you this guy's story in broad strokes just from the
> recording, which is very typical of ones in the Soviet era from the
> 1960s–mid 1980s. He was a peasant who had played the instrument in the 1920s
> or 1930s and then gave up the instrument because nobody wanted that kind of
> music any more. (My guess is that this particular player had never been
> particularly good, but he had probably been much better at some point in the
> past than what you see here.) He didn't touch it for decades until one day
> in the late 1960s or 1970s a bearded young researcher knocked on his door
> and asked him if he played the hurdy-gurdy (because someone in a neighboring
> village thought she remembered that someone had once played it and it might
> have been this guy). If he was lucky he had an instrument buried in about an
> inch of dust in his attic, but more than likely he didn't have one anymore,
> having sold it at some point to buy bread. So he either tried to get his
> instrument working or was loaned one and asked to perform. He had to try to
> remember how to do everything without any of the tools he once used and was
> given little time to prepare. Depending on the circumstances, he may have
> played for this researcher for a few weeks or only a few hours, and he
> probably never had occasion to play hurdy-gurdy again, disappearing back
> into obscurity since nobody but these long-haired researchers wanted this
> sort of thing anymore.
>
> That's why you get an abundance of these terrible recordings of out-of-tune
> instruments. You really can't blame the players in most cases. I've listened
> to a lot of these kinds of recordings, and, if you can get past the tuning
> and the effects of decades of neglect, many show genuine skill that just
> needs some cultivation. While it sounds bad to us, these recordings are
> often all we have of once-vibrant traditions that have vanished. I'm glad we
> have even this, because without this sort of recording we'd have nothing.
>
> Under the same circumstances, how many of us would have done any better?
>
> -Arle
>
> On Feb 20, 2011, at 13:08 , Michael Opp wrote:
>
> Has anyone seen this yet?
>
> They mic the instrument, but not his voice.  >.>
>
> http://www.youtube.com/watch?v=SNF5Daew1Dk
>
>
>
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