Hah! Felicia, you've hit on a new acronym: 
 
UPE
 
(unplayable piece of excrement)
 
Well done!
 
Mitch
 
 
In a message dated 4/13/2011 6:00:13 P.M. Pacific Daylight Time,  
[email protected] writes:

You're right, Michael, gurdies ARE rare, good ones doubly so.  I  can't 
tell you the number of gigs where we've showed up only to have people  sort of 
back away from the gurdy because they've had a bad one inflicted on  them.  
Once I get playing they (usually) settle down and (usually) enjoy  
themselves.  Too many times I've heard the comment after a set, "Gee,  your 
gurdy 
sounds like a musical instrument."  I'm not bragging- my  playing is not of the 
highest or most traditional quality- and I have what  many folks would 
consider a slightly-above entry level instrument,  (a Hubbert Volksgurdy) but 
at 
least it is a fully functioning  instrument that is capable of being 
properly tuned.  Even then I DO  complain about it sometimes!  :D  


I was extremely lucky to have not only heard a couple of good instruments  
but to have had good advice about where to send my money.  I was even  more 
fortunate to get a crash course in set up and basic playing right after  it 
came in the mail.  Thanks to Anna Clemenger I was not let loose upon  an 
unsuspecting public with a bad instrument and no instruction!  I still  only 
had time for the one lesson before setting out on tour as it came three  days 
before I was due to leave.  I played very simple things for a long,  long 
time- and it was very well received.  Again, much of that was due to  the 
instrument's quality.  Even so, it's been an uphill battle and I've  been 
extremely grateful for the many teachers along the way who've helped me  so 
much 
in taming much of the beastly qualities of the gurdy.  I would  have had the 
same problems only magnified with a more advanced instrument but  at least I 
wasn't fighting with an unplayable piece of excrement and thinking  that it 
was all my fault that it sounded so bad.  


I think that's what bothers me the most, that someone with all that  
excitement and eagerness to play a gurdy ends up with a bad instrument (for  
whatever reason) and then thinks, "I can't play this and it's my fault," or  
some 
variation that puts the blame on them instead of the instrument/builder.  
Even with a decent gurdy there have been times when I had to set it down  
very gently and walk away to vent my frustration safely on something else.  At 
least in my case I knew it WAS my issue that I couldn't get the  cotton on 
correctly or do the coup correctly or figure out a fingering.  It's not the 
wheel rubbing the cotton off or a trompette that will never  work or keys 
that stick or are so loose that they flop over like wet grass.  


I will add one more thing to this thread before I try to stop yapping.  I 
have heard several of what I would consider unplayable instruments  sounding 
absolutely wonderful.  One was a kit, the other was barely a  step above a 
kit and the third by a fairly famous builder who must have been  having a 
"bad hair day."  Because of their players (with wildly varying  levels of 
ability and musical education) and the tweaking that these people  did with 
these 
otherwise potentially dreadful gurdies they were very, very  nice.  A 
couple of these even had weed-whacker line for strings!!!  So as much as I 
complain about poor instruments it's obvious that  sometimes it's not the 
instrument at all but the person behind it.  And  isn't that a wonderful thing? 


Felicia.




On Apr 13, 2011, at 1:24 PM, Michael McMillan wrote:



 
> I think I've only been able to help about  three or four of the twenty or 
more people who asked me due to the poor  quality of the gurdy they bought.
 
Part of the problem [besides expense] is that  gurdies are so rare in many 
places. Some people will never actually lay  eyes on a fine instrument, much 
less hear a good player live, and  they are even less likely to be able to 
get good advice from someone  one-on-one. Thus far, I fall into all these 
categories.
 
I'm not interested in buying a GSO, but I still  hear a lot of complaining 
by real musicians about the real things, too!  ;o)  If an isolated 
individual who is not a musician buys a super  'gurdy, and can get no help with 
it, I 
can imagine he may also be quite  frustrated.

--Michael


 
____________________________________
 From: Felicia Dale <[email protected]_ 
(mailto:[email protected]) >
To: [email protected]_ (mailto:[email protected]) 
Sent: Wed, April 13, 2011 3:03:37  PM
Subject: Re: [HG-new] GSO on  eBay

It's just so depressing!!!  Here is this  enthusiastic, eager, ready to 
learn person with an unusable instrument that  they spent good money on.  :(  
It's just so depressing- and so  frustrating and it happens WAY more often 
than is necessary.  I think  I've only been able to help about three or four 
of the twenty or more people  who asked me due to the poor quality of the 
gurdy they bought.  


Felicia.






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