Any ideas where I might find this?  The only book I have right now is the The 
Hurdy Gurdy Adjustment and Maintenance by Destrem and Heidemann, and it was a 
little tough finding that one.
 
Thanks,
Sally

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From: Augusto de Ornellas Abreu <[email protected]>
>To: [email protected]
>Sent: Sunday, May 8, 2011 6:32 PM
>Subject: Re: [HG-new] Intro
>
>
>As for good fingering technique, do you own a copy of the Muskett method? It 
>is quite good and has a lot of great excercises of fingering styles and 
>shifts/extensions (especially on page 26 and 27) 
>
>
>If you don't have a copy, do try and get one!
>
>
>Augusto
>
>
>On Sun, May 8, 2011 at 7:30 PM, Augusto de Ornellas Abreu 
><[email protected]> wrote:
>
>Coming from a piano background as well, I feel tempted to use my thumb every 
>once in a while. 
>>
>>
>>For traditional HG repertoire (especially French and Galician), the thumb is 
>>NOT necessary at all, all the progressions work perfectly with four fingers, 
>>with easy fingering and shifts.
>>
>>
>>For other kind of music, though, sometimes the thumb comes into play and is 
>>quite useful. In some of the music my band plays (we play a sort of 
>>contemporary folk take on some traditional Celtic tunes, mixed with a lot of 
>>Brazilian influence), I use my thumb a lot. I don't find it that unergonomic 
>>(is there such a word?) if I keep the same hand position throughout the tune, 
>>that is, if I do not shift from a 4-finger style to a 5-finger style during 
>>the tune. But I can see how it puts some extra strain on the wrist and how 
>>that could be a little painful if you had some tendency to develop 
>>tendinitis, etc (I used to have some tendinitis when I played the piano more 
>>vigorously, but fortunately it's been years since I felt it last!)
>>
>>
>>Augusto 
>>
>>
>>
>>On Sun, May 8, 2011 at 6:06 PM, Arle Lommel <[email protected]> wrote:
>>
>>I think Death in a Fen is the only piece where I routinely use my thumb. For 
>>anything else that I play, it's not useful. You can play that piece without 
>>it, but I find it easier (= more ergonomic) with it because of the particular 
>>progression of notes. So it really comes down to the piece: use it if it 
>>makes sense, otherwise don't. And for probably 99.55% of all music, it won't 
>>make sense...
>>>
>>>-Arle
>>>
>>>
>>>On May 8, 2011, at 13:56 , Ulrich Joosten wrote:
>>>
>>>Hi everybody,
>>>>
>>>>
>>>>I had a 5-day course with Gilles Chabenat in the week after easter and we 
>>>>discussed that question. Gilles said he rarely uses the thumb but mentioned 
>>>>that it might be helpful to use it in  certain situations. Me personally I 
>>>>find it really un-ergonomic to use the thumb. Just my point of view.
>>>>
>>>>
>>>>Best regards,
>>>>Uli
>>>
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