Thanks Mike and Barbara. The G/C is uncharted territory for me, so it's  
good to hear what people commonly use and like. I'll stay with the capo'd C-D  
trompette plan. I don't really want two trompettes if there isn't a really  
strong reason to have that configuration. 
 
Mitch
 
 
 
In a message dated 8/10/2011 3:12:20 P.M. Pacific Daylight Time,  
[email protected] writes:

Hi Mitch  - you don't want a low G, it's a high G (same as the
chanterelles). It's a  bit zingy for my liking but is good to have if
you've got 2 trompettes. You  then have a choice. A low G would be very
strange and possibly not very  controllable. Have you heard the
trompette on the Sonneurs De Vielle En  Bretagne? That's a low D or
maybe E. Very weird!

If you want to know  what a high G trompette sounds like, try tracking
down the playing of  Laurent Tixier in La Marienne. And I think
Maurizio Martinotti of La Ciapa  Rusa used high G as well.

Anyway, I'd stick with the C/D trompette,  ideally with a capo, but
otherwise just tune the string up from C to  D.

Cheers
Mike
www.hurdygurdy.biz

On Aug 10, 5:02 pm,  [email protected] wrote:
> I don't normally play a gurdy in G/C tuning,  and will be having a 
3-chanter
>  gurdy built that will play in  both G/C and D/G. My question is, do G/C  
> players prefer a  trompette tuned to low G, or a trompette that switches
> between  C  and D via a capo system? I'm just wondering about that sound 
of the
>  coups  produced on that low G note as opposed to the somewhat higher C  
and D
> notes. Is  it better, worse, or doesn't matter to players  very much? I'd
> rather not have a  second trompette installed to  get the low G if 
there's no real
> advantage to it,  but if it  makes a distinctly better sounding coup, I'll
> consider  it.
>
> Thoughts?
>
> Thanks in advance,
> Mitch  Gordon
> Guerneville, California, US

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