Well, that's a little bit beside the point. I built my first for less than
that probably less than $100. Yes it was mostly scrap wood and metal. And
it took every spare minute I had for at least 6 months, the last  three of
which  entailed a great deal of hoping that it sounded OK, I mean the Hurdy
-Gurdy. I had never heard one (well, It turns out I had, but I just thought
it was very smooth-sounding bagpipes). So I went to OTW for help on the
final stages and realized that I had undershot by a huge margin. I went
ahead and bought a nice one for quite a bit less than I've seen
non-domestic guitars sell for. Then I tried to shore up my original. That
didn't work either. Now I'm too beat up, to try again.

That's not the point either; here's the point. Where does one get off
trying to get all of us to essentially give him a free-to-cheap instrument,
"but it's got to be nice or it's not worth my while". And then he has the
%^&#$ to whine about our treatment of him. !!!! Good riddance.

I guess I ought to clear out before I say what I REALLY mean (I don't think
Alden and Kali allow that sort of language here anyway).  I do miss the lot
of you.

Roy T. (as opposed to R.T. and several others)

On Mon, Oct 31, 2011 at 11:59 AM, Bruno Fournier <[email protected]> wrote:

> guys, guys, building a HG is difficult, yes, but nothing out of the
> extraordinary.  Just need a lot of patience and trial and error.  I built a
> symfonia to begin with, to get myself familiar with the concept, and then
> built a Hurdy Gurdy.  Complexity is the model you will build, if lute back
> it will be more complex.  As for the cost, you can easily build for less
> than 500 $ of materials, not calculating your labor.
>
> regards
>
> Bruno
>
>
> On Mon, Oct 31, 2011 at 11:37 AM, Augusto de Ornellas Abreu <
> [email protected]> wrote:
>
>> Come on, don't be like that!
>>
>> NO ONE here discouraged building, we just told the ORIGINAL poster that
>> his perspective of building himself a gurdy for less than a very affordable
>> kit, with enough profit margin to sell it for 1200 was not a realistic goal
>> to have.
>>
>> People on my side of the discussion made the point (with actual figures
>> to support it) that one should build for the fun and personal satisfaction
>> behind the endeavour, but not to get his hands on a cheap instrument. HG
>> makers do NOT work with a wide enough margin to make it self-evident and
>> certain that anyone with some tools and some woodworking experience would
>> be able to - in his first attempt - make himself an actual working gurdy
>> (and not a HGLO) for much less that someone with a fully equipped shop, all
>> jigs and molds already properly made and spare parts already made and
>> fitted (bushings, bearings, tangents, etc).
>>
>> What there is no place here for is this kind of immaturity that
>> interprets a very good discussion with great points being made on BOTH
>> sides of the argument and twists it immensely, taking it personally and
>> distorting the whole point.
>>
>> On Mon, Oct 31, 2011 at 12:48 PM, timw <[email protected]> wrote:
>>
>>> Description     The general subject of the list is hurdy-gurdies: their
>>> music, players, maintenance, recordings, events, construction, and
>>> anything else that seems pertinant. We welcome discussion of all
>>> aspects of the instrument.
>>>
>>> This group seems to delight in not supporting construction, but rather
>>> discourage it. I am the obvious newcomer here and this hasn't been a
>>> welcoming group.
>>>
>>> You can sigh comfortably, this is my final post.  Tim, newcomer and
>>> amateur luthier.
>>>
>>> On Oct 30, 9:52 pm, Felicia Dale <[email protected]> wrote:
>>> > Well said, Leonard.
>>> >
>>> > Felicia.
>>> >
>>> > On Oct 29, 2011, at 11:16 AM, Leonard Williams wrote:
>>> >
>>> >
>>> >
>>> > >        I built my own hurdy gurdy after years of longing to own one
>>> > > without the means of purchase.  I had some experience with
>>> > > woodworking, some good tools (power and hand), and very good plans
>>> > > for an early renaissance model purchased from a professional
>>> > > builder.  Because of the bizarre grain of the wood I had (American
>>> > > elm), I had trouble finding someone willing to surface the wood (a
>>> > > rough plank) to my dimensions;  I had to rough it on a table saw and
>>>
>>> > > get final thicknesses with a hand plane and scrapers.  With some
>>> > > patient telephone coaching from the designer of the instrument I was
>>>
>>> > > able build a simple (no trompette, single chanter, 3 drone) hurdy
>>> > > gurdy.  Howerever, it was a number of years before I finally got the
>>>
>>> > > “finished” instrument set up satisfactorily  (This forum was a great
>>>
>>> > > help in the final stages!).
>>> > >         I am no longer sure of the material costs, but it was far
>>> > > less than a professionally built instrument.  I am proud of the
>>> > > result of my labors, and builcing my gurdy fulfilled a desperate
>>> > > need.  BUT—would I do it again?  I think not—I’d try to save up and
>>> > > buy one from a craftsman/artist who knows what he’s doing.  This is
>>> > > certainly not intended to discourage anyone from trying to build a
>>> > > hurdy gurdy or any instrument on his own—by all means try it if you
>>> > > really want to!  I learned a lot from the experience and do not
>>> > > regret it—just be aware that it requires a good deal of patience.
>>> > > There is an element to instrument building that is purely
>>> > > mechanical, but every collection of wooden parts is an organic
>>> > > entity which requires its own peculiar tweaking to become a musical
>>> > > instrument.
>>> >
>>> > > Regards,
>>> > > Leonard Williams
>>> > >            _
>>> > >          [: :]
>>> > >         / |  | \
>>> > >        |  |  |  |
>>> > >        (_==_)
>>> > >            !~¿
>>> >
>>> > > On 10/26/11 4:46 PM, "Steven Tucker" <[email protected]>
>>> wrote:
>>> >
>>> > >> Ulrich, why would want this discussion to stop?  It's getting
>>> > >> really interesting.  There is considerable knowledge and talent
>>> > >> here on this forum and I think the subject of "Affordable Hurdy
>>> > >> Gurdy Construction" is worth delving into.  I guess I'm assuming
>>> > >> that someone who is looking into building their own gurdy will
>>> > >> search this forum and discover this thread an so it's appropriate
>>> > >> to discuss the costs and ramifications of attempting to build one
>>> > >> from scratch within a budget.
>>> >
>>> > >> On Wed, Oct 26, 2011 at 7:25 AM, Kazimierz Verkmastare
>>> > >> <[email protected]> wrote:
>>> > >>> Alden, I hope you don't mind me using you for an example.
>>> >
>>> > >>> Steve, will you agree with this statement - "If what you want is
>>> > >>> an Olympic Chinook, then you shouldn't expect, unless you are Cali
>>>
>>> > >>> and Alden, to be able to build one for less than they do.  They
>>> > >>> have streamlined production and amortized costs, and probably
>>> > >>> can't lower costs (materials + labor + tools) further."
>>> >
>>> > >> I would actually say that if what you want is an Olympic Chinook
>>> > >> then you shouldn't expect to be able to build one at all unless
>>> > >> you're Cali and Alden.  Now if you were an experienced luthier and
>>> > >> had an actual Olympic Chinook in front of you, and were experienced
>>>
>>> > >> and proficient at top voicing, then you might expect to be able to
>>> > >> make a reasonably good copy, but not for less than they do.
>>> >
>>> > >>>   So say you want a Chinook, if you are as skilled and
>>> > >>> knowledgable as the Hackmans, you can build yourself one for
>>> > >>> probably $1700 or $1800, real cost. (Don't remove labor cost from
>>> > >>> the equation - your time is worth it).
>>> >
>>> > >> I agree with almost everything you've been saying except the part
>>> > >> about counting labor time as real cost.  Now this is true if we're
>>> > >> talking about someone who is thinking about going into business of
>>> > >> making hurdy gurdies to sell, but if I want to spend my unpaid time
>>>
>>> > >> on learning about and building a hurdy gurdy, and don't buy premium
>>>
>>> > >> AAAA luthierie woods, then my total cash outlay for a Chinook-like
>>> > >> hurdy gurdy would be around $300 or less -- even accounting for
>>> > >> precision bushings and a shaft from McMaster Carr and a AA spruce
>>> > >> top from Luthier's Mercantile.
>>> >
>>> > >> The expensive exotic hardwoods and highly figured woods that
>>> > >> luthiers use in their instruments don't have anything to do with
>>> > >> the sound quality or stability of the instrument.  ( I could launch
>>>
>>> > >> into a huge discussion proving this statement, but it's already
>>> > >> been hashed out quite thoroughly in many forums and technical
>>> > >> papers.) Beautiful wood is an artistic choice.
>>> >
>>> > >> [...]
>>> >
>>> > >>> Tools?  You don't need tools.  A pocketknife, a piece of broken
>>> > >>> window glass, a hacksaw blade nailed to a bent willow twig, a
>>> > >>> carpenter's pencil and a leather punch, that's all you need,
>>> > >>> right?  No.
>>> >
>>> > >> I would contend that all you need is a bow saw with a thin blade
>>> > >> and a thick blade, a luthier's knife (made from an old file), a
>>> > >> steel scraper, a drill, and possibly a wood carvers gouge.
>>> > >> (Assuming you buy the shaft, bushings, and top wood).
>>> > >> [...]
>>> >
>>> > >>> [...] But a player who wants a good instrument but can't afford
>>> > >>> one and has little woodworking skills does not stand a great
>>> > >>> chance of success in building a great gurdy fast and with only a
>>> > >>> couple of hundred bucks to throw at the project.  And those are
>>> > >>> the folks we address here.
>>> >
>>> > >>  A few years back, at a music camp, I met a very excellent gurdy
>>> > >> player who had built his own.  It had a great sound, easily
>>> > >> comparable to the $5000 range instruments also at camp.  It was the
>>>
>>> > >> first instrument he ever built (he was about 24 years old), and he
>>> > >> made it using only hand tools and a power drill in his apartment
>>> > >> living room.  The body was a converted $10 classical guitar, the
>>> > >> shaft and bearings were wood, and the wheel was made from a scrap
>>> > >> of Baltic Birch plywood.  It was quite fascinating to watch the
>>> > >> "nose in the air" disdain from other gurdy players turn to
>>> > >> mortification when they realized that this disreputable looking
>>> > >> instrument made their very expensive showpiece sound like a thinly
>>> > >> wailing rodent. (their words, not mine, said in good jest I'm sure.)
>>> > >> This kid wasn't a genius, didn't come from a professional
>>> > >> woodworking family, had only had the experience of playing on a
>>> > >> friends gurdy "a few times".  He told me it took him about two
>>> > >> weeks of evenings to put together and the hardest part was cutting
>>> > >> the key guides and getting the dog to buzz right.
>>> >
>>> > >> -S
>>> >
>>> > > --
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>
>
> --
>
> Bruno Cognyl-Fournier
>
> www.estavel.org
>
>
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