There's no question in my mind that applying cotton and rosin are essential 
 skills that a beginning player needs to learn, and that he/she needs help 
from  another player a couple of times before the beginner is in a position 
to figure  this out for him/herself. Sure, you can look at YouTube videos, 
and watch Neil  or Scott throw a piece of cotton from across a room and have 
it fly perfectly  into place, nicely wrapped on the string...but the reality 
for a beginner is  that getting the cotton right is not obvious at all at 
first. You don't know  what you should or shouldn't do, how much is too much 
or too little, how to  adjust the piece that's there, making sure it's tight 
enough, and on and on. We  just went through this with my student, who just 
bought my Phoenix, and she  succeeded in turning a very stable instrument 
into an unplayable screeching  monster in no time at all...we took one look 
at the high chanter, said that's  way too much cotton, do this, do that, add 
some rosin...and voila, she and the  gurdy are friends again. 
 
There are all kinds of other levels of how a perfectly good gurdy can  
become unplayable in a player's life until they wrestle it back  into control, 
but as regards the beginner and a well-made instrument (that  doesn't have 
press-fit tangents) the cotton and rosin issues will be the  main hump to get 
over. 
 
And as someone else said, if we are blessed to have Over The Water again  
this year, Cali and Alden's maintenance class will make you a much happier 
human  being who shares a home with a gurdy.
 
Mitch Gordon
Guerneville, Calif., US
 
 
In a message dated 12/20/2011 6:42:29 P.M. Pacific Standard Time,  
[email protected] writes:

Hi Elisabeth and Kevin,
 
By "high maintenance" I mean the whole cotton issue.  Do I put to  much 
cotton, loo little cotton?  Tweaking the tangents.  One player  once told me 
not to worry about whether I put too much or too little  cotton.  Eventually I 
should know how much to put on.   Another  roadblock was that I had asked 
to have it set up in D/G as I play primarily  Celtic music and figured D/G 
would be better suited for that.    

And, not to dwell on Bruno's comments, but I just wanted to add that this  
was going to be my one and only hurdy gurdy purchase and I wanted to get  it 
with all the 'bells and whistles' and I wouldn't be able to afford a second 
 gurdy.  Now, I'm thinking maybe I should have bought a more basic  model  
instead.  They did make a "Symphonie" model which was a lot  less expensive.
 
Thank you all for your inspiration.  I will definitely make a go of  it 
and, hopefully, will not be putting it up for sale next year.  
Jake 




On Tue, Dec 20, 2011 at 2:20 PM, Kevin Hughes <[email protected]_ 
(mailto:[email protected]) >  wrote:


 
Hello Jake,

I'm curious as to what problems you  are encountering in learning to play.  
You used the phrase high  maintenance in two of your emails.  Could you be 
more specific as what  these issues are?
 
I was once asked to look an Orca from Olympic  Instruments.  A friend had 
borrowed it from another  friend(who been give it as a gift but never played 
it) and thought that the  bridge needed to be lowered(or the string notches 
made deeper) and wanted me  to look at it and see what I thought.  It turned 
out that he was  trying to tune the open chanterelle to D and so the string 
was not making  good contact with the wheel.  I looked at the paperwork 
that came  with the instrument, found the chanterelle should be tuned to G, 
tuned it,  cottoned the string, did a bit of shimming, and the instrument  
played. (This was a couple of years ago and I still haven't  seen the friend 
play it.)  But it seemed like the instrument was  close to  being good to go 
when shipped.
 
When starting out the cottoning and related shimming is the  first hurdle 
to overcome.  Neil Brook has a youtube video that is  helpful for this.  Next 
is getting used to turning the crank and  playing notes.  The Muskett book 
is good for this as are Neil  Brook's DVD tutorials.  Aftre that work in 
trompette  technique.  Scott Gayman has a great series of youtube videos on  
this.  And as with any instrument consistent practice yields  best results.
 
You will of course have to replace the cotton from time to  time.  A 
tangent or two may shift and need to be realigned.   There could be other 
issues 
that arise, however once the instrument is  set up it doesn't seem to me to 
need constant tweaking.   Other folks may have other experiences.
 

I wish you well in your endeavors.
 
Kevin 


 
 
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