24 pages into a google search I found this link:

http://www.trumpetherald.com/forum/viewtopic.php?t=17518&sid=a4fab1d500d4e9ff4819cd41ceea2c27

which yielded this paragraph from the Grove music dictionary:

“By the 20th century the hurdy-gurdy had begun to die out, and the Pajot firm 
closed in 1939. However, by the 1960s the revival of folk traditions led to a 
renewal of interest in the instrument. Players of the older generation, such as 
Gaston Rivière, Georges Simon and Henri Vasson, served as teachers for a 
growing group of young players. The festival of Saint Chartier, organized by 
Michèle Fromenteau, begun in 1976, brings together hurdy-gurdy players from 
many countries. The hurdy-gurdy museum at Montluçon has one of the largest 
collections of instruments and serves as a centre for study. Valentin Clastrier 
and Gilles Chabenat have endeavoured to create a more contemporary idiom, while 
the Briton Nigel Eaton and others have developed a more popular style 
incorporating elements of rock and jazz.”

You can hear the dog quite well in the recordings but I’m having trouble 
discerning the chanters or drones over the accordion.  Part of that could be 
the way it was recorded; the other part how the instrument was set up.

From: Arle Lommel 
Sent: Tuesday, December 27, 2011 5:22 PM
To: [email protected] 
Subject: [HG-new] Henri Vasson

Hi all, 

Just discovered a recording on iTunes byHenri Vasson called Hurdy-Gurdy Music 
recorded in 1976. Anyone know the story behind this recording?

I've not bought it, but listening to the samples it sounds like someone needed 
to buy the performer a cake of rosin. But I'm wondering if this is one of those 
recordings of an older player who was rediscovered after not playing for years 
or something like that. The playing, from what I can tell, it actually pretty 
reasonable, if a bit heavy on the dog, and the deficiency seems to be in the 
set-up of the instrument. 

-Arle
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