Is this a g (an octave below the chanter) trompette or a g' (same note as  
the chanter) trompette? I have two trompettes on my 3-chanter flatback, one 
of  them tuned to the g note an octave below the chanter, and the other a  
conventional c'/d' trompette with a harp tuner capo. 
 
While my g trompette works (unlike yours at the moment), I don't find the g 
 trompette all that useful. It's inevitably going to have a pretty weak 
buzz with  that low a note. I've also setting it up at the same pitch as the g' 
chanter (my  luthier thoughtfully provided strings and dogs for both g and 
g' trompettes, so  I could choose between them), but I liked the high g' 
trompette even less. In  G/C tuning, the only trompette setup I find that I 
like the sound and  feel of is the conventional c'/d' trompette with a capo 
system.
 
It's all personal preference I guess (I know other players who like having  
a g or g' trompette), but I for one am not that impressed with the idea of  
having a second trompette. I could have left that feature off my gurdy, 
saved a  little money, and had a perfectly good g mouche there (which is pretty 
much how  I use it now). 
 
Just one player's 2 cents. 
 
Mitch Gordon
Guerneville, California, US
 
 
In a message dated 3/9/2012 8:21:37 A.M. Pacific Standard Time,  
[email protected] writes:

I might start out by taking a regular emery  board (a nail file) and making 
one or two light passes on the side of the tail  end of the dog where it 
pivots.  It only takes a bit of humidity to swell  wood, and while you don't 
want a floppy fit, a single pass or two might get it  freed up.  Remember, 
the forces that cause the buzz are small but very  predictable, and it is 
difficult to tell just by feel if the dog is free  enough.  this is only one of 
the many things that can happen when you  move an instrument from a location 
with one temperature/humidity standard to  another.
 
Another reason to learn how to carve a dog  if you own a gurdy - lots of 
things might be out of the reach of the average  owner to fix, but careful 
study and some time with some basic hand tools and  you will become a pro dog 
carver in no time.
 
Chris



> Hello all.  I'm the  proud owner of a brand-new G/C Siorat hurdy-
> gurdy which arrived  yesterday.  A beautiful instrument with a
> delighful tone.  It  has two trompettes.  The C-trompette buzzes
> easily, but I am having  difficulty with the G-trompette.  The
> trompette plays OK as a  drone, but I am really struggling to get
> any kind of buzz out of  it.  I've obviously played with the tirant,
> and even if I tighten  this to the point where there is a continual
> buzz, it is very, very  weak sounding.  Not a real buzz at all.  The
> dog moves OK (and I've  taken it out and put it back).  I tried re-
> cottoning the string and  rosining the wheel.  I'm sure this must be
> some kind of set-up issue  - maybe induced by the French and Dutch
> postal services, but I  have no idea how to get the dog buzzing!  
> Can anyone advise what  the issue might be and how I could resolve
> it?
>
> Thanks,
>
> Paul
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