Hi Belinda:
The vibrating length is the distance between the two bridges on each side of 
the wheel- the one at the head end of the instrument, and then the one down by 
the crankshaft end (take the wheel out of the equation for this measurement).   
 
Cheers
George
  ----- Original Message ----- 
  From: Belinda Daughtry 
  To: [email protected] 
  Sent: Sunday, June 17, 2012 7:41 PM
  Subject: Re: [HG-new] Digest for [email protected] - 3 Messages in 
2 Topics


  Hi George,


  Thanks for the info.  That's very helpful indeed.  
  When you say "Vibrating length", are you meaning the distance between the 
wheel and the bridge?  If so, mine are only 13" long.  I have the petit model.  
So the cello strings should work fine.


  Thanks again,
  Belinda


  Sent from my iPad

  On Jun 17, 2012, at 2:27 AM, [email protected] wrote:


      Today's Topic Summary
    Group: http://groups.google.com/group/hurdygurdy/topics

      a.. Bassot's Boston Brother [1 Update] 
      b.. Digest for [email protected] - 8 Messages in 2 Topics [2 
Updates] 
     Bassot's Boston Brother
      Barbara Currier <[email protected]> Jun 16 10:29PM -0700  

      Well, well, there's another Bassot, Remy born in 1792. The Boston Museum 
of
      Fine Arts has revised their assessment of their Bassot hg's age and
      builder, instead of Joseph Bassot who died in 1811. That would make a lot
      of people who have seen mine very happy. They now say early 19th century.
      I would like to compare handwriting on the signature under the peghead.
      Mine does not have so many identifying marks, but it does have the
      signature and rather distinctive face. Mine was "de-acquired" from that
      establishment.
       
      http://www.mfa.org/collections/object/hurdy-gurdy-50272
       
      They have audio files. Sounds like my Bassot.
       
      Still inconclusive, however. The French museum still has theirs pegged the
      end of the 18th century by Joseph Bassot, and that's my little guy's
      profile and crank and handle.
       
      http://www.culture.gouv.fr/Wave/image/joconde/0375/m006093_05097_p.jpg
       
      There was a better picture at the Italian museum's site.
      
http://www.comune.milano.it/dseserver/webcity/documenti.nsf/0/5A4CA30F4FDC7CA8C125726C005484BE?opendocument
       
      Yep, love to see the signature.
       
      B



     Digest for [email protected] - 8 Messages in 2 Topics
      Belinda Daughtry <[email protected]> Jun 16 07:16AM -0500  

      Thank you all for the wonderful information. I'm interested in the Nylgut 
for the bourdons and the mouche. We have such humidity extremes where I live 
(either very humid or very dry) that I have trouble keeping those strings in 
particular in tune. However, I think I'd like to keep the high chanter and 
trompette with gut.
      I'm not sure about the size of the bourdons. They're Savarez BFA 442 & 
1002. Is that their size as well? They're wound gut.
       
      Belinda
       
       



      "George Leverett-Altarwind Hurdy Gurdies" <[email protected]> Jun 
16 10:21AM -0700  

      Hi Belinda:
      Nice to see you on the forum. Generally speaking, the following strings 
work pretty well for the Bourdons:
       
      Petit Bourdon - tuned to c3 or d3: a cello 'G' string works nicely 
(standard cello size)
       
      Gros Bourdon - tune to G2 - a 3/4 size cello 'C' string.
       
      These work pretty well if your drones are around 15 to 15 & 1/2" length. 
If the vibrating lengths of your drones are significantly different, post them 
to this list and I'm sure you'll find some great advice for replacements.
       
      Most of us makers sell replacement strings of the sizes needed for these 
instruments, but often you can find cello strings at your local music store as 
well. If you go this route, be sure that they have either a gut or synthetic 
core (steel core cello strings could over tension the instrument, depending on 
it's design)
       
      I hope this helps
      Cheers
      George
       
       
      ----- Original Message ----- 
      From: Belinda Daughtry 
      To: [email protected] 
      Sent: Saturday, June 16, 2012 5:16 AM
      Subject: Re: [HG-new] Digest for [email protected] - 8 Messages 
in 2 Topics
       
       
      Thank you all for the wonderful information. I'm interested in the Nylgut 
for the bourdons and the mouche. We have such humidity extremes where I live 
(either very humid or very dry) that I have trouble keeping those strings in 
particular in tune. However, I think I'd like to keep the high chanter and 
trompette with gut.
      I'm not sure about the size of the bourdons. They're Savarez BFA 442 & 
1002. Is that their size as well? They're wound gut.
       
      Belinda
       
       
       
      On Jun 16, 2012, at 3:27 AM, [email protected] wrote:
       
       
      Today's Topic Summary
      Group: http://groups.google.com/group/hurdygurdy/topics
       
      a.. strings [7 Updates] 
      b.. Strings [1 Update] 
      strings
      "Andy Carter " <[email protected]> Jun 15 02:04PM 
       
      I have a D trompette from there. Its works, its lasting, it sounds good, 
it wasn't the cheapest but I'm happy with it!

      Andy
      Sent from my Nokia phone
       
       
       
      Ruth Bramley <[email protected]> Jun 15 06:57PM +0100 
       
      I've had strings from NRI and, as Andy says, they're not cheap, but they 
are good quality. I confess that I don't often change strings...

      Ruthie

      On 14/06/2012 23:04, [email protected] wrote:

      Thanks, Paul, that is indeed the company I was trying to think of. Do you 
have any experience with their gut hurdy gurdy strings?

      Mitch Gordon

      In a message dated 6/14/2012 2:55:40 PM Pacific Daylight Time, 
[email protected] writes:

      I suspect the UK company referred to could be NRI (Manchester).

      http://www.nrinstruments.demon.co.uk/

      Paul

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      DEREK LOFTHOUSE <[email protected]> Jun 15 12:10PM -0600 
       
      was going to stay out of this, buts Ruth's comment that she doesnt often 
change strings is the perfect lead in.
      I don't know where I picked this up, but apparently gut strings do 
degrade over time, something to do with the oil
      they are treated with. Therefore, you dont want to sit on spare strings 
for too long, at most a year or so. If you change strings yearly, using your 
spare set, you should be okay. Of course this could just be a rumour the gut 
string makers started to sell more strings, who knows.
      I havent used gut for about 7 - 8 years, i use wound metal violin and 
viola strings and change them at least yearly.

      Derek

      ----- Original Message -----
      From: "Ruth Bramley" <[email protected]>
      To: [email protected]
      Sent: Friday, June 15, 2012 11:57:32 AM
      Subject: Re: [HG-new] re: strings

      I've had strings from NRI and, as Andy says, they're not cheap , but they 
are good quality. I confess that I don't often change strings... 

      Ruthie 

      On 14/06/2012 23:04, [email protected] wrote: 


      Thanks, Paul, that is indeed the company I was trying to think of. Do you 
have any experience with their gut hurdy gurdy strings? 

      Mitch Gordon 




      In a message dated 6/14/2012 2:55:40 P.M. Pacific Daylight Time, 
[email protected] writes: 

      I suspect the UK company referred to could be NRI (Manchester). 
      http://www.nrinstruments.demon.co.uk/ 
      Paul 
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      Martin Lodahl <[email protected]> Jun 15 12:10PM -0700 
       
      On 06/15/2012 11:10 AM, DEREK LOFTHOUSE wrote:
      > I don't know where I picked this up, but apparently gut strings do 
degrade over time, something to do with the oil
      > they are treated with. Therefore, you dont want to sit on spare strings 
for too long, at most a year or so. If you change strings yearly, using your 
spare set, you should be okay. Of course this could just be a rumour the gut 
string makers started to sell more strings, who knows.
      > I havent used gut for about 7 - 8 years, i use wound metal violin and 
viola strings and change them at least yearly.

      I'm something of an extreme case in that department. In general, I 
      change my strings when they break, and sometimes not even then. On a 
      viola da gamba I had a top d break right at the tailpiece a month or so 
      ago, and just tied a new base knot in it and refitted the same string. 
      A couple of years ago I replaced all the strings on that instrument, 
      realizing as I did so that I'd last replaced the bottom three strings in 
      1977. I have to say that the sound improved dramatically; using the 
      same gut string for 30+ years has no virtue beyond thrift. But I still 
      can't bring myself to discard a usable string.

      Decades ago I used to play with a classical guitarist who changed her 
      strings weekly.

      - Martin

      -- 
      Martin Lodahl of Auburn, California
      UNIX Pro, Musician, Motorcyclist
       
       
       
      Paul Sherwood <[email protected]> Jun 15 10:54PM +0100 
       
      Yes, they were fine, but I haven't used them for a while (not because
      I found a better supplier, but because I tend to use artificial
      strings now, like Corelli Crystal and nylgut).

      Paul

       
       
       
      [email protected] Jun 15 06:27PM -0400 
       
      Never heard of Nylgut before. What strings do you use them for 
(trompette? 
      high chanter?), and how do you order appropriate sizes for gurdy? I 
already 
      know about Corelli Crystal violin strings, as I use one for the low d 
      chanter on my d/g. I have to say, though, for other chanter pitches and 
for the 
      trompette, it would be hard to sell me on anything other than gut 
strings. 
      It's hard enough to pry me away from Savarez gut strings...
       
      Mitch
       
       
       
       
      In a message dated 6/15/2012 2:54:38 P.M. Pacific Daylight Time, 
      [email protected] writes:

      Yes, they were fine, but I haven't used them for a while (not because
      I found a better supplier, but because I tend to use artificial
      strings now, like Corelli Crystal and nylgut).

      Paul

      > For more options, visit this group at
      > http://groups.google.com/group/hurdygurdy

      > The rules of posting, courtesy, and other list information may be found 
      at
      > http://hurdygurdy.com/mailinglist/index.htm. To reduce spam, posts from 
      new
      > subscribers are held pending approval by the webmaster.

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      Augusto de Ornellas Abreu <[email protected]> Jun 15 07:46PM 
-0300 
       
      Try Corelli Crystal VIOLA strings. With a full string set, you can get low
      G and high G (if you play octave G on a G/C gurdy) and low D and high D 
(on
      a normal D/G gurdy). I use this set on my gurdy and they are quite good,
      and really cheap.

      Augusto

       
       
       
      Strings
      Martin Lodahl <[email protected]> Jun 15 12:01PM -0700 
       
      On 06/14/2012 07:35 AM, Melvin Dorries wrote:
      > They are manufactured in the USA and are of very good quality.
      > You may find sets here on one of our web pages: 
      > http://hurdygurdycrafters.com/index.asp?page=parts1.2

      I haven't tried Mel's strings, but if he carries them, I'd trust them. 
      For some years now I've been happy with gut strings from Dan Larson in 
      Minnesota: http://gamutmusic.squarespace.com/. Depending on the 
      mission and diameter, I've used treble gut, Lyon gut and Pistoy gut, 
      though the last takes a little extra effort to keep the cotton on. If 
      like my brother-in-law you just automatically recotton every time the 
      instrument comes out of the case, this won't bother you. The one 
      exception is for the high d chanter on both my instrument and my wife's, 
      a Neil Brook "Wonder String" lives up to its billing altogether. Mine 
      had always been fussy about strings up there and had worked best with 
      gut strings of smaller than normal diameter, which tended to have short 
      lives. Hers had just been impossible. This string solved the problems 
      with both.

      - Martin

      -- 
      Martin Lodahl of Auburn, California
      UNIX Pro, Musician, Motorcyclist
       
       
       
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