Hello fellow hurdy-gurdy enthusiasts! Since I know at least a handful of you on here are folk metal fans, I thought I would share some of the hurdy-gurdy related info from an interview I recently conducted with Anna Murphy, the hurdy-gurdy player in the Swiss folk metal band Eluveitie. I talked to her for about half an hour, which resulted in about 3,000 words of written interview text - unfortunately, for very sensible editorial reasons, the published version of the interview is only 1,000 words, and most of the hurdy-gurdy details got cut. If you're interested in the streamlined version (minus the juicy hurdy-gurdy details), you can read it here: http://metal-exposure.com/?page_id=10921
For those of you just interested in the specific hurdy-gurdy related information, I'm cutting and pasting it from the unedited interview here: *Interviewer*:* Tell me about your first hurdy-gurdy. Who was the maker, and what sort of features did it * *have?* *Anna Murphy*: My very first one was rented from the Schola Cantorum, the school for early music, in Basel, Switzerland. It was a really old and very, very traditional instrument. It had four strings, and it sounded like shit. It was terrible, but it was very authentic, so it was good for learning how the instrument works and deciding whether or not I really wanted to play it. *I*: *How long did you have that instrument?* *AM*: About six months, until my current instrument was finished being built [by luthier Helmut Gotschy]. *I*: *So now you have a custom Gotschy Novello Classico and a Weichselbaumer Alto. Can you * *tell me a little bit about the features of each of those instruments?* *AM*: Well, the Gotschy has four melody strings in octaves of G and C. I have to tune the Cs up to Ds sometimes, which is obviously not great, but it’s worked OK so far. It also has three drone strings, in C, G, and a higher C, plus two trumpet strings with three capos so the strings can be played in C, D, E, A, and G. The Weichselbaumer has three melody strings in C, D, and G, and the drones and trumpets are the same as the Gotschy. For our “party” songs – like Inis Mona and Thousandfold – I usually play on two melody strings tuned an octave apart, but when I’m just accompanying, I only use one low melody string. *I*: *Have you ever had a hurdy-gurdy emergency on stage or during a tour where you had to do * *something really crazy or last-minute to fix it?* *AM*: I actually had the most epic hurdy-gurdy fail ever! I was playing both hurdies on tour once – so for some songs I’d play the Weichselbaumer and some I’d play the Gotschy – and while I was playing the Gotschy, the handle fell off. And I thought, shit, what the fuck is happening? So I started playing my other one, and the exact same thing happened! So both handles were just gone, and I was standing there on stage like a moron. Luckily, our tech came up with an emergency solution: He taped the handle of a screwdriver on so I could finish playing the show. It was actually seems pretty funny now…! *I*: *Do you ever have trouble finding supplies for your hurdy-gurdy? Or have you ever had * *trouble getting your instrument to sound the way you want it to before a show?* *AM*: Yeah, I usually use liquid rosin, and either it works really well, or it doesn’t work at all. And when it doesn’t work, the instrument just squeaks and makes terrible noises. I think with the hurdy-gurdy, you basically have a 50/50 chance of everything working properly. It’s like taking a dive into the unknown; either it’s going to sound wonderful, or horrible. And I always lose my rosin, too – but luckily it’s easy to find in stores, and of course, [Eluveitie fiddle player] Meri always has hers. *I*: *You mentioned that you went to the Schola Cantorum in Basel. Who was your teacher * *there? And have you worked with any other hurdy-gurdy virtuosos since?* *AM*: Carmen Ehinger was my teacher, but I haven’t worked with any other experts since then. I basically just taught myself by playing Eluveitie songs. I don’t play the instrument traditionally anyway, so that seemed like the best way to do it. *I*: *Do you have any special exercises that you do to improve your finger speed or dexterity?* *AM*: Not really. I mean, to be honest, learning new Eluveitie stuff is like an exercise; it makes me better. With every album [Eluveitie frontman] Chrigel writes, it just gets faster and harder, and some things are just fucking impossible! And when I start practicing certain tunes, I only play at about 70 or 80 bpm, and I think, I’m NEVER going to be able to play this at full speed! But then, over the course of a couple of weeks, I always manage somehow – the song “Home,” for instance, was a great exercise for me. *I*: *Since you do a lot of sound engineering and are recording your own stuff, have you * *considered playing around with sound effects or pedals with the hurdy-gurdy for Eluveitie?* *AM*: Yeah, I actually have – I really wanted to, but it just never happened. I would have to take the time to go to the store and see what works, but I really want to do more experimenting with that. I think I’m actually going to check out some pedals in the US, because they’re cheaper there. So there you have it! And in case any of you are actually hardcore Eluveitie fans and want to read the entire unedited interview, you can find it here: https://www.dropbox.com/s/6r528us9oj0e6w2/Interview%20with%20Anna%20Murphy.pdf . Hope you find it both informative and entertaining! ;) Cheers from Berlin, Sam -- You received this message because you are subscribed to the Google Groups "hurdygurdy" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/hurdygurdy The rules of posting, courtesy, and other list information may be found at http://hurdygurdy.com/mailinglist/index.htm. To reduce spam, posts from new subscribers are held pending approval by the webmaster.
